"Das Sühnopfer des neuen Bundes, Pt. 1: No. 2, Gegrüsst sei, Fürst des Lebens" by Carl Loewe, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper was released on March 8, 2019. With Das Sühnopfer des neuen Bundes, Pt. 1: No. 2, Gegrüsst sei, Fürst des Lebens being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Carl Loewe, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper's "Loewe: Das Sühnopfer des neuen Bundes" album is number 2 out of 46. On top of that, Germany appears to be the country where this track was created. Das Sühnopfer des neuen Bundes, Pt. 1: No. 2, Gegrüsst sei, Fürst des Lebens is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Das Sühnopfer des neuen Bundes, Pt. 1: No. 2, Gegrüsst sei, Fürst des Lebens by Carl Loewe, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 52: No. 2, "Am Gesteine rauscht die Flut" | Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt | D Major | 0 | 10B | 72 BPM | ||
Missa solemnis in D Major, Op. 123: I. Kyrie: Kyrie eleison. Assai sostenuto | Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations | D Major | 2 | 10B | 78 BPM | ||
Songs on One Page, H. 294: No. 5, U maměnky | Bohuslav Martinů, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | F Major | 1 | 7B | 179 BPM | ||
Laudate Pueri: VIII. Sicut erat | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Concerto Il Proteo ò il Mondo al Roverscio for violin, cello, 2 flutes, 2 oboes, harpsichord, strings & continuo in F Major, RV 572: I. Allegro | Antonio Vivaldi, La Serenissima, Adrian Chandler | F Major | 4 | 7B | 111 BPM | ||
Zwölf Orgelstücke, Op. 4: VIII. Adagio | Johann Gottlob Schneider, Halgeir Schiager | B Minor | 2 | 10A | 128 BPM | ||
Miserere, ZWV 57: II. Miserere II | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | B Major | 3 | 1B | 58 BPM | ||
Hebraische Gesange, Book 2, Op. 5: No. 3. Die wilde Gazelle | Carl Loewe, Roman Trekel, Cord Garben | B♭ Minor | 3 | 3A | 111 BPM | ||
Sechs deutsche Lieder, Opus 25: Nr. 3 Gretchen (Arr. für Stimme und Gitarre von Boris Tesic) | Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann | C Minor | 1 | 5A | 98 BPM | ||
Misatango, Misa a Buenos Aires: VII. Et incarnatus est | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 2 | 4A | 86 BPM |
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