Das Sühnopfer des neuen Bundes, Pt. 1: No. 2, Gegrüsst sei, Fürst des Lebens
Carl Loewe, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper
Loewe: Das Sühnopfer des neuen Bundes
0:49 March 8, 2019
BPM
86
Key
E♭ Major
Camelot
5B

Embed

Share Link

Das Sühnopfer des neuen Bundes, Pt. 1: No. 2, Gegrüsst sei, Fürst des Lebens - Carl Loewe, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper Information

Acousticness
98%
Danceability
14%
Energy
4%
Instrumentalness
95%
Liveness
11%
Loudness
54%
Speechiness
3%
Valence
4%
Popularity
Loudness
-27.472 dB

Summary

"Das Sühnopfer des neuen Bundes, Pt. 1: No. 2, Gegrüsst sei, Fürst des Lebens" by Carl Loewe, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper was released on March 8, 2019. With Das Sühnopfer des neuen Bundes, Pt. 1: No. 2, Gegrüsst sei, Fürst des Lebens being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Carl Loewe, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper's "Loewe: Das Sühnopfer des neuen Bundes" album is number 2 out of 46. On top of that, Germany appears to be the country where this track was created. Das Sühnopfer des neuen Bundes, Pt. 1: No. 2, Gegrüsst sei, Fürst des Lebens is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Das Sühnopfer des neuen Bundes, Pt. 1: No. 2, Gegrüsst sei, Fürst des Lebens BPM

We consider the tempo marking of Das Sühnopfer des neuen Bundes, Pt. 1: No. 2, Gegrüsst sei, Fürst des Lebens by Carl Loewe, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Das Sühnopfer des neuen Bundes, Pt. 1: No. 2, Gegrüsst sei, Fürst des Lebens Key

E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 52: No. 2, Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 52: No. 2, "Am Gesteine rauscht die Flut"Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol MattD Major010B72 BPM
Missa solemnis in D Major, Op. 123: I. Kyrie: Kyrie eleison. Assai sostenuto by Ludwig van Beethoven, Jordi Savall, Le Concert Des NationsMissa solemnis in D Major, Op. 123: I. Kyrie: Kyrie eleison. Assai sostenutoLudwig van Beethoven, Jordi Savall, Le Concert Des NationsD Major210B78 BPM
Songs on One Page, H. 294: No. 5, U maměnky by Bohuslav Martinů, Magdalena Kozená, Czech Philharmonic, Sir Simon RattleSongs on One Page, H. 294: No. 5, U maměnkyBohuslav Martinů, Magdalena Kozená, Czech Philharmonic, Sir Simon RattleF Major17B179 BPM
Laudate Pueri: VIII. Sicut erat by Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient MusicLaudate Pueri: VIII. Sicut eratGiovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient MusicB Minor210A71 BPM
Concerto Il Proteo ò il Mondo al Roverscio for violin, cello, 2 flutes, 2 oboes, harpsichord, strings & continuo in F Major, RV 572: I. Allegro by Antonio Vivaldi, La Serenissima, Adrian ChandlerConcerto Il Proteo ò il Mondo al Roverscio for violin, cello, 2 flutes, 2 oboes, harpsichord, strings & continuo in F Major, RV 572: I. AllegroAntonio Vivaldi, La Serenissima, Adrian ChandlerF Major47B111 BPM
Zwölf Orgelstücke, Op. 4: VIII. Adagio by Johann Gottlob Schneider, Halgeir SchiagerZwölf Orgelstücke, Op. 4: VIII. AdagioJohann Gottlob Schneider, Halgeir SchiagerB Minor210A128 BPM
Miserere, ZWV 57: II. Miserere II by Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises IllánMiserere, ZWV 57: II. Miserere IIJan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises IllánB Major31B58 BPM
Hebraische Gesange, Book 2, Op. 5: No. 3. Die wilde Gazelle by Carl Loewe, Roman Trekel, Cord GarbenHebraische Gesange, Book 2, Op. 5: No. 3. Die wilde GazelleCarl Loewe, Roman Trekel, Cord GarbenB♭ Minor33A111 BPM
Sechs deutsche Lieder, Opus 25: Nr. 3 Gretchen (Arr. für Stimme und Gitarre von Boris Tesic) by Louis Spohr, Duo Sjelle, Boris Tesic, Christine BrinkmannSechs deutsche Lieder, Opus 25: Nr. 3 Gretchen (Arr. für Stimme und Gitarre von Boris Tesic)Louis Spohr, Duo Sjelle, Boris Tesic, Christine BrinkmannC Minor15A98 BPM
Misatango, Misa a Buenos Aires: VII. Et incarnatus est by MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto PereyraMisatango, Misa a Buenos Aires: VII. Et incarnatus estMartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto PereyraF Minor24A86 BPM
ISRC
DEU921909602
Label
L-M Records/RCA Records

Section: 0.6250462532043457

End: 0.6289806365966797