Musik zu einem Ritterballett (1790-91), WoO 1: Deutscher Gesang (da capo) (II) by Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan

Song Analysis

Audio information that is featured on Musik zu einem Ritterballett (1790-91), WoO 1: Deutscher Gesang (da capo) (II) by Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan.

Acousticness

89%

Energy

5%

Liveness

31%

Speechiness

4%

Danceability

30%

Instrumentalness

15%

Loudness

62%

Valence

32%

Harmonic Matches

Find songs that harmonically matches to Musik zu einem Ritterballett (1790-91), WoO 1: Deutscher Gesang (da capo) (II) by Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.

Track Artist Key Energy Camelot BPM
Les Contes d'Hoffmann: Barcarolle by Jacques Offenbach, Valery Gergiev, Wiener PhilharmonikerLes Contes d'Hoffmann: BarcarolleJacques Offenbach, Valery Gergiev, Wiener PhilharmonikerD Major010B79
Beethoven: Symphony No. 2 in D Major, Op. 36: III. Scherzo. Allegro by Ludwig van Beethoven, Sir Simon Rattle, Wiener PhilharmonikerBeethoven: Symphony No. 2 in D Major, Op. 36: III. Scherzo. AllegroLudwig van Beethoven, Sir Simon Rattle, Wiener PhilharmonikerD Major110B153
Symphony No.9 in D Minor, Op.125: IV. Presto, Recitativo - Allegro assai - Final chorus from Schiller's Ode to Joy by Wiener Philharmoniker, Elisabeth Höngen, Wiener Singverein, Hans Hotter, Julius Patzak, Herbert von Karajan, Elisabeth SchwarzkopfSymphony No.9 in D Minor, Op.125: IV. Presto, Recitativo - Allegro assai - Final chorus from Schiller's Ode to JoyWiener Philharmoniker, Elisabeth Höngen, Wiener Singverein, Hans Hotter, Julius Patzak, Herbert von Karajan, Elisabeth SchwarzkopfD Major310B86
Les contes d'Hoffmann: Les contes d'Hoffmann: "Barcarole"Philharmonia Orchestra, Herbert von KarajanD Major010B76
Maskarade: Overture by Carl Nielsen, Wiener Philharmoniker, Zubin MehtaMaskarade: OvertureCarl Nielsen, Wiener Philharmoniker, Zubin MehtaD Major210B88
Lyric Pieces Book II, Op.38: 1. Berceuse by Edvard Grieg, Mikhail PletnevLyric Pieces Book II, Op.38: 1. BerceuseEdvard Grieg, Mikhail PletnevD Major010B67
The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Fugue: Full Orchestra (Allegro molto) by Benjamin Britten, Eugene Ormandy, Philadelphia OrchestraThe Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Fugue: Full Orchestra (Allegro molto)Benjamin Britten, Eugene Ormandy, Philadelphia OrchestraD Major410B143
Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo – Allegro by Franz Joseph Haydn, Pavel Gomziakov, Erik Heide, Orquestra GulbenkianCello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo – AllegroFranz Joseph Haydn, Pavel Gomziakov, Erik Heide, Orquestra GulbenkianD Major110B137
Casse-noisette: Danses de Casse-noisette by Wiener Philharmoniker, Herbert von KarajanCasse-noisette: Danses de Casse-noisetteWiener Philharmoniker, Herbert von KarajanD Major210B128
Beethoven : Hymn to Joy - The European Hymn At Olympics by London Festival OrchestraBeethoven : Hymn to Joy - The European Hymn At OlympicsLondon Festival OrchestraD Major110B75
Symphony No.9 In D / 1. Satz: Andante comodo by Gustav Mahler, Berliner Philharmoniker, Herbert von KarajanSymphony No.9 In D / 1. Satz: Andante comodoGustav Mahler, Berliner Philharmoniker, Herbert von KarajanD Major110B172
Was gleicht wohl auf Erden dem Jägervergnügen (Der Freischütz: Jägerchor, 3.Akt) - 1990 Remastered Version by Carl Maria von Weber, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Robert Heger, Orchester der Bayerischen StaatsoperWas gleicht wohl auf Erden dem Jägervergnügen (Der Freischütz: Jägerchor, 3.Akt) - 1990 Remastered VersionCarl Maria von Weber, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Robert Heger, Orchester der Bayerischen StaatsoperD Major310B109
Carmina Burana / 3. Cour d'amours: Carmina Burana / 3. Cour d'amours: "Dies, nox et omnia"Carl Orff, John Shirley-Quirk, Royal Philharmonic Orchestra, Antal DorátiD Major010B177
Night On Bald Mountain by Modest Mussorgsky, Wiener Philharmoniker, Gustavo DudamelNight On Bald MountainModest Mussorgsky, Wiener Philharmoniker, Gustavo DudamelD Major210B69
An der schönen blauen Donau, Walzer, Op. 314 by Johann Strauss II, Andris Nelsons, Wiener PhilharmonikerAn der schönen blauen Donau, Walzer, Op. 314Johann Strauss II, Andris Nelsons, Wiener PhilharmonikerD Major110B200
Gaîté parisienne: Barcarolle by Jacques Offenbach, Berliner Philharmoniker, Herbert von KarajanGaîté parisienne: BarcarolleJacques Offenbach, Berliner Philharmoniker, Herbert von KarajanD Major010B82
Symphony No. 104 in D 'London' (1996 - Remaster): III. Menuet by Berliner Philharmoniker, Herbert von KarajanSymphony No. 104 in D 'London' (1996 - Remaster): III. MenuetBerliner Philharmoniker, Herbert von KarajanD Major110B168
Annen-Polka, Op.117 by Johann Strauss II, Wiener Philharmoniker, Karl BöhmAnnen-Polka, Op.117Johann Strauss II, Wiener Philharmoniker, Karl BöhmD Major110B77
Invitation to the Dance, Op.65 (Aufforderung zum Tanze) - Orchestrated By H. Berlioz: Moderato - Allegro vivace - Vivace - Moderato by Carl Maria von Weber, Berliner Philharmoniker, Herbert von KarajanInvitation to the Dance, Op.65 (Aufforderung zum Tanze) - Orchestrated By H. Berlioz: Moderato - Allegro vivace - Vivace - ModeratoCarl Maria von Weber, Berliner Philharmoniker, Herbert von KarajanD Major110B122
The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation V: Violins (Brilliante alla pollaca) by Benjamin Britten, Eugene Ormandy, Philadelphia OrchestraThe Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation V: Violins (Brilliante alla pollaca)Benjamin Britten, Eugene Ormandy, Philadelphia OrchestraD Major310B102
Symphony No.5 In C Sharp Minor: 5. Rondo-Finale (Allegro) by Gustav Mahler, Wiener Philharmoniker, Pierre BoulezSymphony No.5 In C Sharp Minor: 5. Rondo-Finale (Allegro)Gustav Mahler, Wiener Philharmoniker, Pierre BoulezD Major110B115
An der schönen blauen Donau, Op.314 by Johann Strauss II, Berliner Philharmoniker, Herbert von KarajanAn der schönen blauen Donau, Op.314Johann Strauss II, Berliner Philharmoniker, Herbert von KarajanD Major210B95
Prélude, Fugue et Variation, Op. 18: I. Andantino. II. Lento (Arr. pour piano) by César Franck, Nikolai LuganskyPrélude, Fugue et Variation, Op. 18: I. Andantino. II. Lento (Arr. pour piano)César Franck, Nikolai LuganskyB Minor010A70
Symphony No.8 in B minor, D.759 - Symphony No.8 in B minor, D.759 - "Unfinished": 1. Allegro moderatoFranz Schubert, Wiener Philharmoniker, Josef KripsB Minor010A74

Musik zu einem Ritterballett (1790-91), WoO 1: Deutscher Gesang (da capo) (II) by Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan Information

This song is track #12 in Beethoven: Classical Summer by Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan, which has a total of 167 tracks. The duration of this track is 0:55 and was released on June 7, 2021. As of now, this track is currently not as popular as other songs out there. Musik zu einem Ritterballett (1790-91), WoO 1: Deutscher Gesang (da capo) (II) doesn't provide as much energy as other songs but, this track can still be danceable to some people.

Musik zu einem Ritterballett (1790-91), WoO 1: Deutscher Gesang (da capo) (II) BPM

Musik zu einem Ritterballett (1790-91), WoO 1: Deutscher Gesang (da capo) (II) has a BPM of 143. Since this track has a tempo of 143, the tempo markings of this song would be Allegro (fast, quick, and bright). Based on the tempo, this track could possibly be a great song to play while you are jogging or cycling. Overall, we believe that this song has a fast tempo.

Musik zu einem Ritterballett (1790-91), WoO 1: Deutscher Gesang (da capo) (II) Key

The key of Musik zu einem Ritterballett (1790-91), WoO 1: Deutscher Gesang (da capo) (II) is D Major. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

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