Sir Neville Marriner, Hans Peter Blochwitz, Barbara Bonney, Jan-Hendrik Rootering, Südfunk-Chor, Radio-Sinfonieorchester Stuttgart made "Die Schöpfung HobXXI/2, PART 2: Und Gott schuf den Menschen nach seinem Bilde:Rezitativ (Uriel)" available on 1990. With Die Schöpfung HobXXI/2, PART 2: Und Gott schuf den Menschen nach seinem Bilde:Rezitativ (Uriel) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Sir Neville Marriner's "Haydn: Die Schoepfung" album is number 4 out of 35. In terms of popularity, Die Schöpfung HobXXI/2, PART 2: Und Gott schuf den Menschen nach seinem Bilde:Rezitativ (Uriel) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Die Schöpfung HobXXI/2, PART 2: Und Gott schuf den Menschen nach seinem Bilde:Rezitativ (Uriel) by Sir Neville Marriner, Hans Peter Blochwitz, Barbara Bonney, Jan-Hendrik Rootering, Südfunk-Chor, Radio-Sinfonieorchester Stuttgart to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romance No. 2 In F Major, Op. 50 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | F Major | 1 | 7B | 88 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Symphony No. 6 in F, Op. 68 -"Pastoral": 4. Gewitter, Sturm (Allegro) | Ludwig van Beethoven, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 3 | 8B | 148 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Pachelbel: Canon and Gigue for Three Violins and Continuo in D Major: Canon | Johann Pachelbel, János Rolla, Franz Liszt Chamber Orchestra | E Minor | 4 | 9A | 172 BPM | ||
Beethoven: 12 Contredanses, WoO 14: No. 8 in C Major | Ludwig van Beethoven, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 169 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Capriol Suite: 1. Basse-danse | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | D Minor | 2 | 7A | 133 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM |
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