"Missa pro Defunctis: VIII. Agnus Dei" by Cristobal de Morales, Public Domain, Jordi Savall was released on 2009. The duration of Missa pro Defunctis: VIII. Agnus Dei is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Missa pro Defunctis: VIII. Agnus Dei's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Public Domain, Jordi Savall's "Maestros del Siglo de Oro" album is number 14 out of 42. On top of that, Switzerland appears to be the country where this track was created. Missa pro Defunctis: VIII. Agnus Dei is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa pro Defunctis: VIII. Agnus Dei by Cristobal de Morales, Public Domain, Jordi Savall to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Je me complains piteusement | Guillaume Dufay, Blue Heron, Scott Metcalfe | A Major | 0 | 11B | 75 BPM | ||
Marco Rosano: Requiem | Andreas Scholl | B♭ Major | 2 | 6B | 59 BPM | ||
O coruscans lux stellarum | Hildegard von Bingen, Choir of Clare College, Cambridge, Timothy Brown | G Minor | 0 | 6A | 113 BPM | ||
Ochte Nash | KITKA Women's Vocal Ensemble | B♭ Major | 1 | 6B | 62 BPM | ||
Daniell Batchelar: Mounsier's Almaine (1610) | Paul O'Dette | F♯ Major | 0 | 2B | 124 BPM | ||
To be sung on the water, Op. 42, No. 2 | Samuel Barber, Conspirare, Craig Hella Johnson | C Minor | 0 | 5A | 83 BPM | ||
In monte Oliveti, IGM 4 | Giovanni Battista Martini, Pro Musica, Szabó Dénes | G Minor | 0 | 6A | 133 BPM | ||
Caritas habundat in omnia | Hildegard von Bingen, Sequentia, Barbara Thornton | D Minor | 1 | 7A | 83 BPM | ||
Cor mio, mentre vi miro | Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini | C Minor | 1 | 5A | 133 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM |
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