David Hill, Traditional, Lake Jackson Intermediate Men's Choir made "Canto del Agua (arr. D. Hill)" available on January 29, 2013. The duration of Canto del Agua (arr. D. Hill) is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Canto del Agua (arr. D. Hill)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 2010 Texas Music Educators Association (TMEA): Lake Jackson Intermediate Men's Choir, Friendswood Jr. High School Varsity Treble Choir & Cook Middle School Advanced Girls Choir, so we believe that "Canto del Agua (arr. D. Hill)" is a single. Canto del Agua (arr. D. Hill) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Canto del Agua (arr. D. Hill) by David Hill, Traditional, Lake Jackson Intermediate Men's Choir is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orff: Carmina Burana: Part 2, In Taberna, No. 11 "Estuans interius" (Baritone) | Carl Orff, Janice Watson, James Bowman, Donald Maxwell, Bournemouth Symphony Chorus, Waynflete Singers, Highcliffe Junior Choir, Bournemouth Symphony Orchestra, David Hill | A Minor | 2 | 8A | 170 BPM | ||
Spaseniye sodelal yesi posrede zemli (Salvation is Created), Op. 25, No. 5 | Pavel Chesnokov, Dale Warland Singers, Dale Warland | D Major | 0 | 10B | 133 BPM | ||
Elgar: Pomp and Circumstance, Op. 39: IV. March No. 4 in G Major (Allegro marziale - Nobilmente) | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | C Major | 3 | 8B | 110 BPM | ||
A Mass of Life: Part I: Erhebt eure Herzen (Baritone) | Frederick Delius, Janice Watson, Catherine Wyn-Rogers, Andrew Kennedy, Alan Opie, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | D Major | 3 | 10B | 175 BPM | ||
Elgar: Pomp and Circumstance March No. 1 in D Major (Land of Hope and Glory) | Edward Elgar, London Philharmonic Orchestra, Andrew Davis | D Major | 5 | 10B | 119 BPM | ||
Funeral Sentences for the death of Queen Mary II (1695): Canzona | Henry Purcell, Baroque Brass Of London, David Hill | C Minor | 0 | 5A | 66 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: V. Ihr habt nun Traurigkeit | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | G Major | 0 | 9B | 77 BPM | ||
Zadok the Priest, HWV 258 | George Frideric Handel, The Bach Choir, English Concert, David Hill | G Minor | 1 | 6A | 123 BPM | ||
Verdi: Nabucco, Act 3: Chorus of the Hebrew Slaves. "Va pensiero, sull'ali dorate" | Giuseppe Verdi, Bernard Haitink, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | D♭ Major | 0 | 3B | 75 BPM | ||
8-part Crucifixus | Antonio Lotti, Tenebrae | C Minor | 1 | 5A | 171 BPM |
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