"Albinoni: Oboe Concerto in C Major, Op. 9 No. 5: II. Adagio" by Tomaso Albinoni, Pierre Pierlot, Claudio Scimone, I Solisti Veneti was released on 1970. The duration of Albinoni: Oboe Concerto in C Major, Op. 9 No. 5: II. Adagio is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Albinoni: Oboe Concerto in C Major, Op. 9 No. 5: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 23 in Albinoni's Adagios by Tomaso Albinoni, Claudio Scimone, I Solisti Veneti. Albinoni: Oboe Concerto in C Major, Op. 9 No. 5: II. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Albinoni: Oboe Concerto in C Major, Op. 9 No. 5: II. Adagio by Tomaso Albinoni, Pierre Pierlot, Claudio Scimone, I Solisti Veneti is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Concerti Grossi, Op. 6, No. 8 in G Minor "Fatto per la notte di Natale": V. Allegro & VI. Largo. Pastorale ad libitum | Arcangelo Corelli, Karol Teutsch, Orchestre Leopoldinum-wroclaw | G Major | 1 | 9B | 117 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Anna Holbling, Quido Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 1 | 5A | 92 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Oboe Concerto in B-Flat Major, Op. 9, No. 11: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | G Minor | 1 | 6A | 173 BPM | ||
Les plaisirs: Gavotte pour les Suisses | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 121 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM |
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