Polly: Polly: Overture - Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon Information

Acousticness: 97%
Danceability: 32%
Energy: 10%
Instrumentalness: 90%
Liveness: 33%
Loudness: 68%
Speechiness: 5%
Valence: 22%
Popularity: 8%
Loudness: -19.352 dB

Summary

Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon's 'Polly: Polly: Overture' came out on March 1, 2006. With this song being about 5 minutes long, at 5:15, "Polly: Polly: Overture" by Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 27 out of 27 in Arnold, S.: 6 Overtures, Op. 8 / Macbeth (Incidental Music) by Samuel Arnold. Polly: Polly: Overture is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Polly: Polly: Overture BPM

The tempo marking of Polly: Polly: Overture by Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Polly: Polly: Overture Key

This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Les Danaïdes, Acte I Scène 1: Air de danse	Antonio Salieri, Les Chantres du Centre de Musique Baroque de Versailles, Olivier Schneebeli, Les Talens Lyriques, Christophe Rousset	F Major	4	7B	72 BPM
Harp Concerto: II. Adagio	Johann Georg Albrechtsberger, Andrea Vigh, Budapest Strings, Karoly Botvay	G Major	0	9B	107 BPM
Concerto Grosso in D Major, Op. 6, No. 1: II. Allegro	Arcangelo Corelli, Franz Liszt Chamber Orchestra, János Rolla	F Major	0	7B	72 BPM
Das listige Bauernmädchen: No. 12, —	Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec	D Major	1	10B	92 BPM
Polly: Act II: Air 8: Hunt the Squirrel: The world is always jarring (Polly)	Johann Christoph Pepusch, Samuel Arnold, Laura Albino, Eve Rachel McLeod, Gillian Grossman, Marion Newman, Loralie Kirkpatrick, Bud Roach, Lawrence Wiliford, Andrew Mahon, Matthew Grosfeld, Jason Nedecky, Aradia Ensemble, Kevin Mallon	F♯ Major	2	2B	101 BPM
Concerto Grosso in F Major, Op. 1, No. 1: I. Allegro	Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek	C Major	2	8B	137 BPM
Concerto grosso No. 12 in B Minor, Op. 6/12, HWV 330: III. Larghetto, e piano	George Frideric Handel, Trevor Connah, Raymond Keenlyside, Thurston Dart, Sir Andrew Davis, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	1	6A	169 BPM
Symphony in D Major, Op. 3, No. 1, W. C1: III. Presto	Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür	A Major	2	11B	100 BPM
Atys, "Le Sommeil" Opera in 5 actes with prologue: Le sommeil	Jean-Baptiste Lully, English Chamber Orchestra, Raymond Leppard	G Major	1	9B	146 BPM
Oboe Concerto in C minor, TWV 51:c1: 1. Grave	Georg Philipp Telemann, Heinz Holliger, Academy of St. Martin in the Fields, Iona Brown	C Major	1	8B	67 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6331167221069336

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