"Idomeneo, K. 366, Act III: Spiegarti non poss'io - Live in Glyndebourne, 1964" by Wolfgang Amadeus Mozart, Luciano Pavarotti, London Philharmonic Orchestra, Sir John Pritchard was released on January 1, 2010. The duration of Idomeneo, K. 366, Act III: Spiegarti non poss'io - Live in Glyndebourne, 1964 is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Idomeneo, K. 366, Act III: Spiegarti non poss'io - Live in Glyndebourne, 1964's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Luciano Pavarotti's "Luciano Pavarotti: The Ultimate Collection Live – Over 100 Tracks Live in Concert and at the Opera" album is number 33 out of 115. On top of that, United States appears to be the country where this track was created. Idomeneo, K. 366, Act III: Spiegarti non poss'io - Live in Glyndebourne, 1964 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Idomeneo, K. 366, Act III: Spiegarti non poss'io - Live in Glyndebourne, 1964 by Wolfgang Amadeus Mozart, Luciano Pavarotti, London Philharmonic Orchestra, Sir John Pritchard to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
French Suite No.2 in C minor, BWV 813: 5a. Menuet I | Johann Sebastian Bach, András Schiff | E♭ Major | 1 | 5B | 70 BPM | ||
Quintet in A Major for Clarinet and Strings, K. 581: II. Larghetto | Endres Quartet, Jost Michaels | D Major | 0 | 10B | 74 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM | ||
Concerto for Flute, Harp, and Orchestra in C Major, K. 299: III. Rondo (Allegro) | Wolfgang Amadeus Mozart, Carl Reinecke, Wolfgang Schulz, Nicanor Zabaleta, Wiener Philharmoniker, Karl Böhm | C Major | 2 | 8B | 83 BPM | ||
Lieder ohne Worte, Op. 19, No. 1 | Felix Mendelssohn, Murray Perahia | E Major | 0 | 12B | 138 BPM | ||
Piano Sonata No.13 in B flat, K.333: 3. Allegretto grazioso | Wolfgang Amadeus Mozart, András Schiff | B♭ Major | 0 | 6B | 73 BPM |
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