Marc-Antoine Charpentier, Véronique Gens, Les Arts Florissants, Jean-Paul Fouchécourt, Gilles Ragon, Bernard Deletré, William Christie made "Te Deum, H. 146: X. In te Domine speravi" available on April 27, 1989. The duration of Te Deum, H. 146: X. In te Domine speravi is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Te Deum, H. 146: X. In te Domine speravi's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 30 in Charpentier: Te Deum, H.146, Litanies de la Vierge & Missa "Assumpta est Maria" by Marc-Antoine Charpentier, Les Arts Florissants, William Christie. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Te Deum, H. 146: X. In te Domine speravi is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Te Deum, H. 146: X. In te Domine speravi by Marc-Antoine Charpentier, Véronique Gens, Les Arts Florissants, Jean-Paul Fouchécourt, Gilles Ragon, Bernard Deletré, William Christie is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
"Concerto comique" No.25 In G Minor "Les sauvages et La Furstemberg": 3. La Furstemberg - Allegro | Michel Corrette, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | F♯ Minor | 2 | 11A | 85 BPM | ||
Handel: Orlando, HWV 31, Act 1: Recitativo. "Noti o me sono" (Zoroastro, Angelica, Orlando) | George Frideric Handel, William Christie, Harry Van Der Kamp, Patricia Bardon, Rosemary Joshua, Les Arts Florissants | C Major | 3 | 8B | 92 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Benedictus | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | E♭ Major | 1 | 5B | 112 BPM | ||
Dixit Dominus, ZWV 66: Dixit Dominus - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F♯ Major | 3 | 2B | 115 BPM | ||
Handel: Serse, HWV 40, Act 1 Scene 5: Recitativo, "Come, qui, Principessa" (Serse, Romilda, Arsamene, Elviro) | George Frideric Handel, William Christie | D♭ Major | 1 | 3B | 101 BPM | ||
Alcina / Act 1: Tornami a vagheggiar | George Frideric Handel, Danielle de Niese, Les Arts Florissants, William Christie | A Major | 2 | 11B | 139 BPM | ||
Nach dir, Herr, verlanget mich, BWV 150: Leite mich in deiner Wahrheit (Chorus) | Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki | C Minor | 1 | 5A | 89 BPM | ||
Fürwahr er trug unsere Krankheit, BuxWV 31 | Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel | C Minor | 1 | 5A | 125 BPM | ||
Charpentier: Te Deum in D Major, H. 146: I. Prelude. Marche en rondeau | Marc-Antoine Charpentier, William Christie | C Major | 4 | 8B | 75 BPM | ||
Couperin, F: Première leçon de ténèbres pour le Mercredi saint: VI. He | François Couperin, William Christie, Sophie Daneman, Les Arts Florissants | C Minor | 0 | 5A | 76 BPM |
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