The Pirates of Penzance: When Fred'ric Was a Little Lad - Susan Gorton Information

Acousticness
99%
Danceability
16%
Energy
10%
Instrumentalness
71%
Liveness
11%
Loudness
56%
Speechiness
5%
Valence
28%
Popularity
Loudness
-26.364 dB

Summary

Susan Gorton's 'The Pirates of Penzance: When Fred'ric Was a Little Lad' came out on November 1, 1991. The duration of The Pirates of Penzance: When Fred'ric Was a Little Lad is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. The Pirates of Penzance: When Fred'ric Was a Little Lad's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "The Pirates of Penzance (New D'Oyly Carte Opera Company Cast Recording)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. The Pirates of Penzance: When Fred'ric Was a Little Lad is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Pirates of Penzance: When Fred'ric Was a Little Lad BPM

With The Pirates of Penzance: When Fred'ric Was a Little Lad by Susan Gorton having a BPM of 59 with a half-time of 30 BPM and a double-time of 118 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

The Pirates of Penzance: When Fred'ric Was a Little Lad Key

This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
River of Horses: No. 4, The War God's Horse Song by Lori Laitman, James Wright, Charles Baudelaire, James Dickey, Jennifer Check, Warren JonesRiver of Horses: No. 4, The War God's Horse SongLori Laitman, James Wright, Charles Baudelaire, James Dickey, Jennifer Check, Warren JonesD♭ Minor112A49 BPM
15. The threaten'd cloud has pass'd away by Arthur Sullivan, Valerie Masterson, Pauline Wales, Peggy Ann Jones, Colin Wright, Kenneth Sandford, Michael Rayner, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash15. The threaten'd cloud has pass'd awayArthur Sullivan, Valerie Masterson, Pauline Wales, Peggy Ann Jones, Colin Wright, Kenneth Sandford, Michael Rayner, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston NashE♭ Major35B115 BPM
La Gioconda / Act 1: Feste! Pane! Feste! by Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno BartolettiLa Gioconda / Act 1: Feste! Pane! Feste!Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno BartolettiB♭ Major46B67 BPM
Songs of Travel: Whither Must I Wander? by Ralph Vaughan Williams, David John Pike, Isabelle TrübSongs of Travel: Whither Must I Wander?Ralph Vaughan Williams, David John Pike, Isabelle TrübE Major312B92 BPM
Davide penitente, K. 469: Alzai le flebili voci al Signor (Chorus, Soprano 1) by Wolfgang Amadeus Mozart, Trine Wilsberg Lund, Kristina Wahlin, Lothar Odinius, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-JensenDavide penitente, K. 469: Alzai le flebili voci al Signor (Chorus, Soprano 1)Wolfgang Amadeus Mozart, Trine Wilsberg Lund, Kristina Wahlin, Lothar Odinius, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-JensenA Minor18A169 BPM
E l'uccellino, SC 71 (Arr. for Voice & Orchestra by Johannes X. Schachtner) by Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan RepušićE l'uccellino, SC 71 (Arr. for Voice & Orchestra by Johannes X. Schachtner)Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan RepušićG Major29B74 BPM
Mass No. 3 In F Minor, WAB 28: 6. Agnus Dei by Anton Bruckner, Karita Mattila, Marjana Lipovsek, Thomas Moser, Kurt Moll, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin DavisMass No. 3 In F Minor, WAB 28: 6. Agnus DeiAnton Bruckner, Karita Mattila, Marjana Lipovsek, Thomas Moser, Kurt Moll, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin DavisC Major18B95 BPM
Te Deum: Sanctus by Johann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber OrchestraTe Deum: SanctusJohann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber OrchestraA♭ Minor21A125 BPM
1. Pour, oh pour the pirate sherry by Arthur Sullivan, George Cook, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey1. Pour, oh pour the pirate sherryArthur Sullivan, George Cook, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore GodfreyE♭ Major35B96 BPM
Haugtussa, Op. 67: V. Elsk by Charlotte Hoather, George TodicaHaugtussa, Op. 67: V. ElskCharlotte Hoather, George TodicaC Major28B104 BPM
ISRC
GBDGA0100971
Label
L-M Records/RCA Records

Section: 1.0072994232177734

End: 1.013587236404419