Giovanni Maria Bononcini, London Baroque's 'Trio Sonata in A Major, Op. 6 No. 5' came out on November 6, 2012. With this song being about 5 minutes long, at 4:58, "Trio Sonata in A Major, Op. 6 No. 5" by Giovanni Maria Bononcini, London Baroque is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "The Trio Sonata in 17th-Century Italy". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Trio Sonata in A Major, Op. 6 No. 5's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trio Sonata in A Major, Op. 6 No. 5 by Giovanni Maria Bononcini, London Baroque having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Balletto à 3 in G Major, Op. 3 No. 3: I. Preludio. Largo | Tomaso Albinoni, London Baroque | F♯ Major | 2 | 2B | 105 BPM | ||
Suite No. 2 in D Major: III. Sarabande | Gaspard Le Roux, London Baroque | E Major | 2 | 12B | 83 BPM | ||
Sonata II In G Minor: VIII. Borea (Alla Breve) (Muffat) | Georg Muffat, Masques, Olivier Fortin | F♯ Minor | 3 | 11A | 108 BPM | ||
Recorder Sonata No. 12 in G Minor: IV. Spiritoso | Francesco Mancini, Dan Laurin, London Baroque | D♭ Major | 2 | 3B | 41 BPM | ||
Sonata (Concerto No. 9) in A Minor: IV. Largo | Alessandro Scarlatti, Dan Laurin, London Baroque | B Minor | 0 | 10A | 97 BPM | ||
Fuga con un soggetto solo in D Major | Arcangelo Corelli, London Baroque | D♭ Major | 2 | 3B | 41 BPM | ||
Fantasia Suite: III. Galliard | John Coprario, London Baroque | B Major | 2 | 1B | 70 BPM | ||
Sinfonia in A Major: II. Andante | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Minor | 1 | 8A | 94 BPM | ||
Trio Sonata No. 3 in G Minor, Op. 13 No. 6: I. Adagio | Jean-Marie Leclair, London Baroque | D♭ Major | 3 | 3B | 118 BPM | ||
Trio Sonata in G Major, Op. 1 No. 8: III. Grave | John Ravenscroft, London Baroque | F♯ Minor | 1 | 11A | 66 BPM |
Section: 1.1176340579986572
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