"Goetter,Uebt Barmherzigkeit" by Hermann Prey was released on 2003. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "Great Moments Of Hermann Prey" album is number 2 out of 68. Goetter,Uebt Barmherzigkeit is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Goetter,Uebt Barmherzigkeit by Hermann Prey to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gounod: Faust, Act 2: "Vin ou bière ... Jeune adepte du tonneau" (Chorus, Wagner) | Charles Gounod, Michel Plasson, Marc Barrard, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
Chi vuol la zingarella (from Zingari in Fiera) | Giovanni Paisiello, Cecilia Bartoli, György Fischer | G Major | 1 | 9B | 80 BPM | ||
Il barbiere di Siviglia / Act 2: No. 13 Quintetto: "Don Basilio!" - Recitativo: "Ah! Disgraziato me!"-Recitativo: "Che vecchio sospettoso!" | Gioachino Rossini, Teresa Berganza, Stefania Malagu, Luigi Alva, Hermann Prey, Enzo Dara, Paolo Montarsolo, Theodor Guschlbauer, London Symphony Orchestra, Claudio Abbado | B♭ Major | 3 | 6B | 129 BPM | ||
Odins Meeresritt, Op.118 | Carl Loewe, Hermann Prey, Karl Engel | G Major | 0 | 9B | 91 BPM | ||
Gounod: Faust, Act 3: "Les grands seigneurs ... Ah ! je ris de me voir si belle" (Marguerite) | Charles Gounod, Elsa Dreisig, Michael Schønwandt, Orchestre national de Montpellier Occitanie | D Major | 1 | 10B | 100 BPM | ||
Wagner: Lohengrin, Act 3: "Treulich geführt ziehet dahin" (Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin | C Minor | 2 | 5A | 119 BPM | ||
Rigoletto / Act 3: Bella figlia dell'amore (Duca, Maddalena, Gilda, Rigoletto) | Giuseppe Verdi, Luciano Pavarotti, Denyce Graves, Cheryl Studer, Vladimir Chernov, Metropolitan Opera Orchestra, James Levine | D♭ Major | 3 | 3B | 78 BPM | ||
8 Songs, Op. 52: No. 3. Das Liedchen von der Ruhe | Ludwig van Beethoven, Hermann Prey, Leonard Hokanson | E♭ Major | 1 | 5B | 87 BPM | ||
Hoch auf dem gelben Wagen - arranged by Fried Walter | Klaus Hoehne, Hermann Prey, Orchestra, Fried Walter, Choir | F♯ Major | 2 | 2B | 128 BPM | ||
Die Fledermaus / Act 3: Dialog: Also, du willst mir Vorwürfe machen? | Johann Strauss II, Julia Varady, Hermann Prey, Benno Kusche, René Kollo, Franz Muxeneder | B Minor | 2 | 10A | 85 BPM |
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