"The Ballad of the Brown King: VIII. That Was a Christmas Long Ago" by Margaret Bonds, The Dessoff Choirs, Malcolm J. Merriweather, The Dessoff Orchestra was released on November 1, 2019. With The Ballad of the Brown King: VIII. That Was a Christmas Long Ago being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Margaret Bonds, The Dessoff Choirs, Malcolm J. Merriweather, The Dessoff Orchestra's "Margaret Bonds: The Ballad of the Brown King & Selected Songs" album is number 8 out of 14. The Ballad of the Brown King: VIII. That Was a Christmas Long Ago is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Ballad of the Brown King: VIII. That Was a Christmas Long Ago by Margaret Bonds, The Dessoff Choirs, Malcolm J. Merriweather, The Dessoff Orchestra to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Earth Wind and Fire | Aileen | D♭ Major | 1 | 3B | 105 BPM | ||
Symphony No. 2, Op. 52, "Lobgesang": I. Sinfonia: II. Allegretto un poco agitato | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Valses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, Modéré | Maurice Ravel, Basque National Orchestra, Robert Trevino | C Major | 0 | 8B | 82 BPM | ||
Spring Symphony, Op. 44, Part IV: Finale. London, to Thee I do Present (soprano, alto, tenor, chorus, children's chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Alice Coote, Allan Clayton, London Symphony Chorus, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir | C Major | 3 | 8B | 134 BPM | ||
Symphony No. 5 in E Minor Op. 64: 3. Valse. Allegro moderato | Pyotr Ilyich Tchaikovsky, Ken-Ichiro Kobayashi, Kobaken And His Friends Orchestra | A Major | 1 | 11B | 135 BPM | ||
Miniature Dance Suite, Op. 124: Jig | Cecil Armstrong Gibbs, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 1 | 9B | 71 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
Capriol Suite: IV. Bransles | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | D Minor | 2 | 7A | 90 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | E♭ Major | 0 | 5B | 79 BPM | ||
8 Russian Folksongs, Op.58: 5. Legend of the Birds | Anatoly Lyadov, Shalom Ronly-Riklis, Tasmanian Symphony Orchestra | D Minor | 0 | 7A | 124 BPM |
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