"8 Russian Folksongs, Op.58: 5. Legend of the Birds" by Anatoly Lyadov, Shalom Ronly-Riklis, Tasmanian Symphony Orchestra was released on 1987. With 8 Russian Folksongs, Op.58: 5. Legend of the Birds being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Paganini: Violin Concerto No. 1 / Rimsky-Korsakov: Flight of the Bumble-Bee / Kabalevsky: Galop From". In this album, this song's track order is #9. Based on our statistics, 8 Russian Folksongs, Op.58: 5. Legend of the Birds's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 8 Russian Folksongs, Op.58: 5. Legend of the Birds by Anatoly Lyadov, Shalom Ronly-Riklis, Tasmanian Symphony Orchestra having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In the Sunshine | Tasmanian Symphony Orchestra, Brenton Broadstock | B♭ Minor | 4 | 3A | 0 BPM | ||
La Tragédie de Salomé, Op. 50: V. Quatrième tableau | Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | F Major | 2 | 7B | 85 BPM | ||
Variations on a theme by Haydn, Op. 56a "St. Anthony Variations": Finale | Johannes Brahms, Pittsburgh Symphony Orchestra, Marek Janowski | C Major | 1 | 8B | 60 BPM | ||
Glazunov: Piano Concerto No. 1 in F Minor, Op. 92: I. Allegro moderato | Alexander Glazunov, John Ogdon, Paavo Berglund, Bournemouth Symphony Orchestra | D Major | 2 | 10B | 92 BPM | ||
Lachrimae Coactae Pavan | John Dowland, Thurston Dart, Thurson Dart, London Philharmonic Orchestra | C Major | 1 | 8B | 153 BPM | ||
Wild Swans - Concert Suite: 6. Good Fairy | Elena Kats-Chernin, Tasmanian Symphony Orchestra, Ola Rudner | F Major | 1 | 7B | 147 BPM | ||
Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Zwischenspiel No. 3, Scherzino | Peter Kiesewetter, Symphonieorchester des Bayerischen Rundfunks, Heinz Rühmann | D Major | 2 | 10B | 107 BPM | ||
Shchedrin: Carmen Suite: VII. Second Intermezzo (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | E Major | 1 | 12B | 116 BPM | ||
Metropolis: I. Auftakt: In den Katakomben | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | G Major | 1 | 9B | 112 BPM | ||
Concerto For Dreams | Orchestral Music X, Marko Celesty | C Major | 0 | 8B | 110 BPM |
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