P.D.Q.Bach, David Robinson, Peter Schickele's 'Sonata da circo, S. 3 Ring: III. Smokski the Russian Bear' came out on August 1, 1995. With Sonata da circo, S. 3 Ring: III. Smokski the Russian Bear being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "PDQ Bach: The Short-Tempered Clavier and Other Dysfunctional Works for Keyboard". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United States. In terms of popularity, Sonata da circo, S. 3 Ring: III. Smokski the Russian Bear is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata da circo, S. 3 Ring: III. Smokski the Russian Bear by P.D.Q.Bach, David Robinson, Peter Schickele having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet in G minor | Antonios Fotopoulos, Antonis Fotopoulos | A♭ Major | 0 | 4B | 58 BPM | ||
25 Études faciles et progressives, Op. 100: No. 2, Arabesque | Franz Burgmüller, The Gerst Ensemble | A Minor | 0 | 8A | 131 BPM | ||
Cello Concerto No. 1, Op. 50, W095: II. Tempo de gavotte. Assai moderato | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | C Minor | 1 | 5A | 73 BPM | ||
Stück für Flötenuhr nr. 30 | The Royal Wind Music | B♭ Major | 1 | 6B | 112 BPM | ||
String Quartet N 20 Mov 1 Mazurka Version 2 | Luca Schettino | C Minor | 2 | 5A | 150 BPM | ||
25 Études faciles et progressives, Op. 100: No. 9, La chasse | Friedrich Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 78 BPM | ||
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: I. Ouvertüre | Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker | A Major | 1 | 11B | 70 BPM | ||
In Chassidic Mood: I. Andante con moto | Gil Aldema, The Safad Chamber Orchestra, Markus Poschner, Giora Feidman | B♭ Minor | 0 | 3A | 110 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: II. Andante marcia funebre I | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | C Minor | 0 | 5A | 85 BPM | ||
Organ Concerto in G Minor, FP 93: II. Allegro giocoso | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | G Major | 1 | 9B | 84 BPM |
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