Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 10.6 - Wie Google tickt - How Google Works" available on January 8, 2015. With Kapitel 10.6 - Wie Google tickt - How Google Works being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #27 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Kapitel 10.6 - Wie Google tickt - How Google Works is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Kapitel 10.6 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 109 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Kapitel 10.6 - Wie Google tickt - How Google Works being at 109 BPM, the half-time would be 54 BPM with a double-time of 218 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elijah, Op. 70: "O Thou, Who Makest" (Recitative & Chorus) | Felix Mendelssohn, Simon Keenlyside, William Whitehead, Paul McCreesh, Gabrieli | B♭ Major | 2 | 6B | 72 BPM | ||
Nimrod | Edward Elgar, Czech Philharmonic, Leopold Stokowski | F Major | 2 | 7B | 117 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: IV. Et misericordia | Carl Philipp Emanuel Bach, Geraint Jones, Geraint Jones Singers, Geraint Jones Orchestra | D Major | 4 | 10B | 121 BPM | ||
Te Deum, WAB 45: III. Aeterna fac | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus | D Minor | 2 | 7A | 123 BPM | ||
L'Allegro, il Penseroso ed il Moderato, HWV 55, Part II: Accompagnato. Hence, vain deluding joys (Il Penseroso) | George Frideric Handel, Rachel Redmond, Les Arts Florissants, William Christie | A♭ Major | 1 | 4B | 127 BPM | ||
Sancta civitas: I was in the Spirit | Ralph Vaughan Williams, Andrew Staples, Matthew Brook, The Bach Choir, Winchester Cathedral Choristers, Winchester College Quiristers, Bournemouth Symphony Orchestra, David Hill | F Major | 1 | 7B | 126 BPM | ||
Kapitel 22.2 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth | E Major | 2 | 12B | 77 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: No.58 "Aus Liebe will mein Heiland Sterben" | Johann Sebastian Bach, Maria Stader, Münchener Bach-Orchester, Karl Richter | A Minor | 1 | 8A | 88 BPM | ||
Julius Caesar, HWV 17, Act I Scene 1: Caesar! Caesar! Egypt acclaims thee (Chorus) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, English National Opera Chorus | A Major | 1 | 11B | 122 BPM | ||
Kapitel 36.3 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth | B Minor | 2 | 10A | 127 BPM |
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