Ludwig van Beethoven, Agustín Barrios Mangoré made "6 Minuets, WoO 10: No. 2 in G Major (Arr. F. Tarrega for Guitar)" available on 2009. The duration of 6 Minuets, WoO 10: No. 2 in G Major (Arr. F. Tarrega for Guitar) is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. 6 Minuets, WoO 10: No. 2 in G Major (Arr. F. Tarrega for Guitar)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 81 in the song's album "Segovia & Contemporaries, Vol. 11: Rio de la Plata Guitarists". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Canada. 6 Minuets, WoO 10: No. 2 in G Major (Arr. F. Tarrega for Guitar) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With 6 Minuets, WoO 10: No. 2 in G Major (Arr. F. Tarrega for Guitar) by Ludwig van Beethoven, Agustín Barrios Mangoré having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Piano Sonata No.8 In C Minor, Op.13 -"Pathétique": 3. Rondo (Allegro) | Ludwig van Beethoven, Daniel Barenboim | C Minor | 1 | 5A | 97 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Keyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di molto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 0 BPM | ||
Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | F♯ Minor | 2 | 11A | 156 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Solfeggietto in C Minor, H. 220 | Carl Philipp Emanuel Bach, Cyprien Katsaris | F Minor | 1 | 4A | 105 BPM |
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