"24 Pièces en style libre pour orgue ou harmonium, Op. 31: No. 21, Carillon sur la sonnerie du carillon de la chapelle du château de Longpont (Aisne)" by Louis Vierne, Pierre Pincemaille was released on July 25, 2006. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 30 Jahre Rieger-Orgel Abtei Marienstatt, so we believe that "24 Pièces en style libre pour orgue ou harmonium, Op. 31: No. 21, Carillon sur la sonnerie du carillon de la chapelle du château de Longpont (Aisne)" is a single. 24 Pièces en style libre pour orgue ou harmonium, Op. 31: No. 21, Carillon sur la sonnerie du carillon de la chapelle du château de Longpont (Aisne) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 24 Pièces en style libre pour orgue ou harmonium, Op. 31: No. 21, Carillon sur la sonnerie du carillon de la chapelle du château de Longpont (Aisne) by Louis Vierne, Pierre Pincemaille is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe solennelle, Op. 16: III. Sanctus | Louis Vierne, Andrew Reid, Joseph Cullen, James O'Donnell, Westminster Cathedral Choir | E Major | 2 | 12B | 91 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Suite bourguignonne, Op. 17: III. Divertissement | Louis Vierne, Sergio Monteiro | B Major | 2 | 1B | 69 BPM | ||
Sortie in G Minor | Louis James Alfred Lefébure-Wély, Daniel Roth | F Major | 4 | 7B | 78 BPM | ||
The Indian Queen, Z. 630, Act 4: They Tell Us That Your Mighty Powers (Arr. for baroque orchestra and saxophone) | Henry Purcell, Lautten Compagney, Asya Fateyeva, Wolfgang Katschner | E Minor | 0 | 9A | 135 BPM | ||
Messe solennelle, Op. 16: II. Gloria | Louis Vierne, Andrew Reid, James O'Donnell, Westminster Cathedral Choir, Joseph Cullen | A Major | 3 | 11B | 83 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Love's Labour's Lost, Op.28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM | ||
Poèmes des cloches funèbres, Op. 39: No. 2, Le glas | Louis Vierne, Sergio Monteiro | D♭ Major | 0 | 3B | 137 BPM | ||
Suite for Viola & Small Orchestra: II. Carol | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Minor | 0 | 5A | 85 BPM |
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