Olga Sergeeva (Ольга Сергеева)'s 'Svadebnie pesni. Kumushki. (duhovskaya) Календарные песни.Кумушки. (Духовская)' came out on 2007. The duration of Svadebnie pesni. Kumushki. (duhovskaya) Календарные песни.Кумушки. (Духовская) is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Svadebnie pesni. Kumushki. (duhovskaya) Календарные песни.Кумушки. (Духовская)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Olga Sergeeva (Ольга Сергеева)'s "Muzyka russkogo poozer'ja (Музыка Русского Поозерья)" album is number 6 out of 33. Based on our statistics, Svadebnie pesni. Kumushki. (duhovskaya) Календарные песни.Кумушки. (Духовская)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Svadebnie pesni. Kumushki. (duhovskaya) Календарные песни.Кумушки. (Духовская) by Olga Sergeeva (Ольга Сергеева) to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gaprindi Shavo Mertskhalo | Hamlet Gonashvili | F♯ Minor | 0 | 11A | 84 BPM | ||
Proshtavai, Mamo | London Bulgarian Choir | E Major | 3 | 12B | 126 BPM | ||
Travellers 1, 2, 3 | Meredith Monk | F Major | 1 | 7B | 131 BPM | ||
Sluntse | The Mystery Of The Bulgarian Voices | E Major | 2 | 12B | 77 BPM | ||
Romance | Georgian Voices | F♯ Major | 1 | 2B | 85 BPM | ||
Tushetian Melodies | Lela Tataraidze | A Major | 2 | 11B | 171 BPM | ||
2 Studies on Ancient Greek Scales (Arr. J. Schneider for Guitar & Harp): No. 1, Olympos' Pentatonic | Harry Partch, Just Strings, John Schneider, Amy Shulman | G Minor | 1 | 6A | 117 BPM | ||
Companions | Stephan Micus | G Minor | 0 | 6A | 88 BPM | ||
Amours où trop tard je me suis pris | Amina Alaoui | C Major | 2 | 8B | 70 BPM | ||
Shairebi - Humorous Verses | Trio Kavkasia, Alan Gasser, Stuart Gelzer, Carl Linich | B♭ Minor | 2 | 3A | 103 BPM |
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