"Through the Woods" by Angela Morley was released on 1978. The duration of Through the Woods is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Through the Woods's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Watership Down (Original Motion Picture Soundtrack) by Angela Morley. The song's track number on the album is #6 out of 16 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Through the Woods is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Through the Woods by Angela Morley has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Through the Woods being at 88 BPM, the half-time would be 44 BPM with a double-time of 176 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 5/4.
E♭ Minor is the music key of this track. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Charterhouse Suite: Rondo | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | C Major | 1 | 8B | 55 BPM | ||
Siciliana (from "The Tree of Life", Arr. for Piano from Antiche Danze, Suite No. 3 by Ottorino Respighi) | Ottorino Respighi, Olga Scheps | E♭ Major | 0 | 5B | 69 BPM | ||
3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 103 BPM | ||
Hurdy-Gurdy: I. Moderato (From "Tagessterne") | Rundfunk Sinfonieorchester Berlin, Frank Strobel | G Minor | 0 | 6A | 63 BPM | ||
For A Moment | Isobel Waller-Bridge, 12 Ensemble | E♭ Major | 0 | 5B | 139 BPM | ||
Geppetto Creates | Jan A.P. Kaczmarek | A Minor | 3 | 8A | 108 BPM | ||
La Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin) | Jules Massenet, The New Symphony Orchestra Of London, Raymond Agoult | G Major | 1 | 9B | 82 BPM | ||
Variations on a Polish Theme, Op. 10: No. 5 Andantino | Karol Szymanowski, Martin Roscoe | B Minor | 0 | 10A | 70 BPM | ||
Moving to the Ghetto Oct. 31, 1940 | Wojciech Kilar, Tadeusz Strugala, The Warsaw Philharmonic National Orchestra of Poland | A Minor | 0 | 8A | 101 BPM | ||
Die tote Stadt - Arr. Franz Willms: Tanzlied des Pierrot | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D♭ Major | 2 | 3B | 98 BPM |
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