Robert Schumann, Vladimir Horowitz's 'Kinderszenen, Op. 15: 1. Von fremden Ländern und Menschen' came out on January 1, 1997. With Kinderszenen, Op. 15: 1. Von fremden Ländern und Menschen being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Schumann: Kinderszenen; Kreisleriana". In this album, this song's track order is #1. Kinderszenen, Op. 15: 1. Von fremden Ländern und Menschen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Kinderszenen, Op. 15: 1. Von fremden Ländern und Menschen by Robert Schumann, Vladimir Horowitz having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Bertrand Chamayou | E Minor | 0 | 9A | 126 BPM | ||
6 Pezzi, P. 44: No. 6. Internmezzo-serenata | Ottorino Respighi, Konstantin Scherbakov | A Major | 0 | 11B | 83 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Album for the Young, Op. 39: No. 3. Mamma (Maman) | Pyotr Ilyich Tchaikovsky, Carol Rosenberger | G Major | 0 | 9B | 87 BPM | ||
16 Waltzes, Op. 39 (Version for Piano Duet): No. 15 in A-Flat Major | Johannes Brahms, Tal & Groethuysen | A Major | 0 | 11B | 126 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Ma mère l'oye, M. 62: Tableau VI: Le jardin feerique | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | C Major | 0 | 8B | 42 BPM |
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