"Suite No. 2 in C Major, Op. 17: II. Valse: Presto" by Sergei Rachmaninoff, Peter Donohoe, Martin Roscoe was released on November 21, 2006. Suite No. 2 in C Major, Op. 17: II. Valse: Presto is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Rachmaninov: Music for 2 Pianos". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Suite No. 2 in C Major, Op. 17: II. Valse: Presto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite No. 2 in C Major, Op. 17: II. Valse: Presto by Sergei Rachmaninoff, Peter Donohoe, Martin Roscoe having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pärt: Fratres | Arvo Pärt, Tasmin Little, Martin Roscoe | D Major | 0 | 10B | 63 BPM | ||
Piano Concerto in C-Sharp Minor, Op. 45: III. Largo | Amy Beach, Alan Feinberg, Nashville Symphony Orchestra, Kenneth Schermerhorn | F♯ Minor | 0 | 11A | 88 BPM | ||
Piano Sonata No. 13 in B-Flat Major, K. 333: II. Andante cantabile | Wolfgang Amadeus Mozart, Vladimir Horowitz | E♭ Major | 0 | 5B | 112 BPM | ||
Rondo capriccioso in E Major, Op. 14, MWV U67: 1. Andante | Felix Mendelssohn, Jan Lisiecki | E Major | 0 | 12B | 70 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): V. La garde montante | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Cello Sonata No. 1 in C Minor, Op. 32: II. Andante tranquillo sostenuto | Camille Saint-Saëns, Maria Kliegel, François-Joël Thiollier | A♭ Minor | 1 | 1A | 173 BPM | ||
Lyric Pieces, Book 4, Op. 47: Melodi (Melody) | Edvard Grieg, Einar Steen-Nøkleberg | E Major | 0 | 12B | 63 BPM | ||
Fantasiestücke, Op. 12: III. Warum? | Robert Schumann, Martha Argerich | D♭ Major | 0 | 3B | 136 BPM | ||
Etudes-tableaux, Op. 39: No. 6 in A Minor. Allegro | Sergei Rachmaninoff, Nikolai Lugansky | B♭ Minor | 3 | 3A | 119 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM |
Section: 0.9825196266174316
End: 0.9863407611846924