- BPM
- 65
- Key
- D♭ Major
- Camelot
- 3B
Die Forelle (Arr. Franz Liszt) - Franz Schubert, Daniil Trifonov Information
- Acousticness
- 99%
- Danceability
- 34%
- Energy
- 7%
- Instrumentalness
- 84%
- Liveness
- 15%
- Loudness
- 52%
- Speechiness
- 4%
- Valence
- 18%
- Popularity
- 30%
- Loudness
- -28.693 dB
Summary
"Die Forelle (Arr. Franz Liszt)" by Franz Schubert, Daniil Trifonov was released on August 28, 2012. The duration of Die Forelle (Arr. Franz Liszt) is about 3 minutes long, at 3:17. Based on our data, "Die Forelle (Arr. Franz Liszt)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Tchaikovsky: Piano Concerto No. 1". In this album, this song's track order is #8. Die Forelle (Arr. Franz Liszt) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Die Forelle (Arr. Franz Liszt) BPM
With Die Forelle (Arr. Franz Liszt) by Franz Schubert, Daniil Trifonov having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Die Forelle (Arr. Franz Liszt) Key
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | |
 | Chaconne in sol maggiore : Variazione 10 | Lazar Berman | G Minor | 0 | 6A | 71 BPM | |
 | Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | |
 | 5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | |
 | Six Romances, Op. 6, TH 93: VI. None but the Lonely Heart (Arr. Elman) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev | D♭ Major | 1 | 3B | 101 BPM | |
| 24 Preludes, Op. 11: No. 4 in E Minor | Alexander Scriabin, Evgeny Zarafiants | F Major | 1 | 7B | 99 BPM | |
 | Symphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano) | Gustav Mahler, John Gribben, Edward Wolanin | F Major | 0 | 7B | 71 BPM | |
 | 12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | |
 | Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | |
 | Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: I. Balletto Detto 'Il Conte Orlando' | Ottorino Respighi, Konstantin Scherbakov | D Major | 1 | 10B | 125 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8006370067596436
End: 0.8051586151123047