"Rheinberger: Cantus Missae (Mass in E-Flat) Op. 109: Rheinberger: Sanctus" by St. Albans Cathedral Choir, Simon Johnson was released on October 26, 2007. The duration of Rheinberger: Cantus Missae (Mass in E-Flat) Op. 109: Rheinberger: Sanctus is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Rheinberger: Cantus Missae (Mass in E-Flat) Op. 109: Rheinberger: Sanctus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in St. Albans Cathedral Choir's "Geistliches Lied: German Choral and Organ Music in the Romantic tradition" album is number 8 out of 15. Rheinberger: Cantus Missae (Mass in E-Flat) Op. 109: Rheinberger: Sanctus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rheinberger: Cantus Missae (Mass in E-Flat) Op. 109: Rheinberger: Sanctus by St. Albans Cathedral Choir, Simon Johnson to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St Anne’s Mass: III. Sanctus | James MacMillan, Cappella Nova, Alan Tavener | D Major | 1 | 10B | 76 BPM | ||
For the Fallen | Douglas Guest, Choir of Jesus College, Cambridge, Mark Williams | D♭ Minor | 1 | 12A | 97 BPM | ||
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM | ||
4 Shakespeare Songs: No. 1. Come Away Death | Jaakko Mäntyjärvi, Voces Nordicae, Lone Larsen | F♯ Major | 1 | 2B | 174 BPM | ||
Six Moravian Choruses: IV. Parting without Sorrow | Leoš Janáček, Cappella Amsterdam, Daniel Reuss | F Minor | 0 | 4A | 111 BPM | ||
Os justi, WAB 30 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | C Major | 0 | 8B | 82 BPM | ||
The Lamentations of Jeremiah, Op. 14: Ego vir videns | Alberto Ginastera, Choir of St. Ignatius Loyola, Kent Tritle | D Major | 0 | 10B | 132 BPM | ||
4 Songs of Love: No. 2, Until the Daybreak | Sven-David Sandström, Sofia Vokalensemble, Bengt Ollen | F Minor | 0 | 4A | 74 BPM | ||
Sleep My Child | Stellenbosch University Choir | A♭ Minor | 1 | 1A | 121 BPM | ||
Liturgical Chants: 4 Spiritual Songs: Alleluia | Valentin Silvestrov, Ieva Ezeriete, Karlis Rutentals, Dace Strautmane, Latvian Radio Choir, Sigvards Kļava | G Major | 0 | 9B | 128 BPM |
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