Thomas Weelkes, Sidney Sussex College Choir, Cambridge, David Skinner's 'Hosanna to the Son of David' came out on April 3, 2012. With Hosanna to the Son of David being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weelkes: Grant the King a long life (English Anthems & Instrumental Music) by Thomas Weelkes, David Skinner. The song's track number on the album is #1 out of 20 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Hosanna to the Son of David is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Hosanna to the Son of David by Thomas Weelkes, Sidney Sussex College Choir, Cambridge, David Skinner has a tempo of 101 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Hosanna to the Son of David being at 101 BPM, the half-time would be 50 BPM with a double-time of 202 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
We Shall Walk Through The Valley (arr. Undine Smith Moore for Apollo5) | Undine Smith Moore, Apollo5 | C Major | 0 | 8B | 103 BPM | ||
Mass in D major, Op. 86: 5. Benedictus | Antonín Dvořák, Christ Church Cathedral Choir, Oxford, Nicholas Cleobury, Simon Preston | G Major | 0 | 9B | 85 BPM | ||
Quis numerare queat: I. Quis numerare queat | Loyset Compère, Owain Park, The Gesualdo Six | F Major | 2 | 7B | 128 BPM | ||
Messa a quattro voci, SV 190: III. Credo | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Thus sings my dearest jewel | Thomas Weelkes, 4x4 Frauenchor der Pädagogische Hochschule, Heike Kiefner-Jesatko | G Major | 2 | 9B | 84 BPM | ||
Missa Maria Magdalena: Agnus Dei | Stellan Sagvik, Annika Skoglund, Olle Persson, Hannah Holgersson, Carl Unander-Scharin, Staffan Alveteg, Bjorn Blomberg, Liselotte Lindgren, Maria Magdalena Motet Choir, Stockholm Chamber Choir, Ralph Gustafsson, Mathias Kjellgren, Stockholm Saxophone Quartet, Ragnar Bohlin | D Major | 1 | 10B | 86 BPM | ||
Hear the voice and prayer | Chapelle du Roi | F Minor | 1 | 4A | 75 BPM | ||
D'un autre amer: D'ung aultre amer | Johannes Ockeghem, Capilla Flamenca | D Minor | 1 | 7A | 86 BPM | ||
Magnificat: VIII. Deposuit potentes | Francisco Guerrero, Núria Rial, Raúl Mallavibarrena | C Minor | 0 | 5A | 71 BPM | ||
O Little Rose, O Dark Rose | Gerda Blok-Wilson, The Gesualdo Six, Owain Park | D Minor | 2 | 7A | 69 BPM |
Section: 0.6477534770965576
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