"The Planets, Op. 32: VII. Neptune, the Mystic" by Tbilisi Symphony Orchestra was released on October 28, 2008. Since The Planets, Op. 32: VII. Neptune, the Mystic is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "The Planets, Op.32". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. The Planets, Op. 32: VII. Neptune, the Mystic is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Planets, Op. 32: VII. Neptune, the Mystic by Tbilisi Symphony Orchestra having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 94 in G Major, "Surprise": II. Andante | Joseph Haydn, Heribert Beissel, Philharmony Bonn | C Major | 0 | 8B | 111 BPM | ||
Waltz No.10 in B Minor, Op.69 No.2 | Frédéric Chopin, Claudio Arrau | B Minor | 0 | 10A | 71 BPM | ||
Fortuna Plango Vulnera (I Bewail The Wounds Of Fate) | Tbilisi Symphony Orchestra | D Major | 4 | 10B | 98 BPM | ||
La campanella in G-Sharp Minor (From "Grandes études de Paganini", S. 141 / 3) | Franz Liszt, Lang Lang | A♭ Minor | 3 | 1A | 88 BPM | ||
Oberon Arie der Titania (Hör, o Gottheit, meine Klagen) I. Akt | Pavel Vranicky, Tbilisi Symphony Orchestra, Jansug Kakhidze | G Major | 2 | 9B | 82 BPM | ||
Czárdás | Vittorio Monti, Angèle Dubeau, La Pietà | D Major | 1 | 10B | 81 BPM | ||
Aria and 30 Variations (The Goldberg Variations), BWV 988: Aria | Nodar Gabunia | G Major | 0 | 9B | 96 BPM | ||
Romeo and Juliet, Suite No.2 from the ballet, Op.64b: 1. Montagues & Capulets | Minnesota Orchestra, Stanisław Skrowaczewski | A Minor | 1 | 8A | 108 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM | ||
Toreador's Song from 'Carmen' | Czech Philharmonic Orchestra | A Major | 3 | 11B | 125 BPM |
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