- BPM
- 166
- Key
- E Major
- Camelot
- 12B
Die Schöpfung Hob. XXI:2 / Zweiter Teil: 23. Rezitativ: "Und Gott schuf den Menschen" (Uriel) - Joseph Haydn, Gösta Winbergh, Berliner Philharmoniker, James Levine Information
- Acousticness
- 11%
- Danceability
- 63%
- Energy
- 32%
- Instrumentalness
- 0%
- Liveness
- 35%
- Loudness
- 75%
- Speechiness
- 96%
- Valence
- 26%
- Popularity
- 5%
- Loudness
- -14.815 dB
Summary
Joseph Haydn, Gösta Winbergh, Berliner Philharmoniker, James Levine's 'Die Schöpfung Hob. XXI:2 / Zweiter Teil: 23. Rezitativ: "Und Gott schuf den Menschen" (Uriel)' came out on January 1, 1991. With Die Schöpfung Hob. XXI:2 / Zweiter Teil: 23. Rezitativ: "Und Gott schuf den Menschen" (Uriel) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Franz Joseph Haydn, Berliner Philharmoniker, James Levine's "Haydn: The Creation H.21" album is number 4 out of 34. On top of that, Germany appears to be the country where this track was created. The popularity of Die Schöpfung Hob. XXI:2 / Zweiter Teil: 23. Rezitativ: "Und Gott schuf den Menschen" (Uriel) is currently not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
Die Schöpfung Hob. XXI:2 / Zweiter Teil: 23. Rezitativ: "Und Gott schuf den Menschen" (Uriel) BPM
We consider the tempo marking of Die Schöpfung Hob. XXI:2 / Zweiter Teil: 23. Rezitativ: "Und Gott schuf den Menschen" (Uriel) by Joseph Haydn, Gösta Winbergh, Berliner Philharmoniker, James Levine to be Vivace (lively and fast) because the track has a tempo of 166 BPM, a half-time of 83BPM, and a double-time of 332 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
Die Schöpfung Hob. XXI:2 / Zweiter Teil: 23. Rezitativ: "Und Gott schuf den Menschen" (Uriel) Key
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo) | Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock Solisten | E♭ Major | 1 | 5B | 62 BPM | |
 | Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto | Johann Sebastian Bach, Monica Huggett, John Toll, Pavlo Beznosiuk, Richard Campbell, Richard Tunnicliffe, Sarah Cunningham, William Hunt, Orchestra of the Age of Enlightenment | D Major | 0 | 10B | 81 BPM | |
 | Album Leaf for Kateřina Kolářová in B Major, JB 1:20 | Bedřich Smetana, Jitka Čechová | B Major | 0 | 1B | 70 BPM | |
| Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment | D♭ Minor | 1 | 12A | 133 BPM | |
 | Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | |
 | Violin Concerto No. 9 in G Major, Op. 8: III. Rondeau | Joseph Boulogne Chevalier de Saint-Georges, Takako Nishizaki, Cologne Chamber Orchestra, Helmut Muller-Bruhl | G Major | 1 | 9B | 127 BPM | |
 | Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | |
 | Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino | Anthony Camden, City of London Sinfonia, Nicholas Ward | C Minor | 0 | 5A | 48 BPM | |
 | Das Waldmädchen: No. 19, Masur | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | |
 | Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: I. | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Anne-Katharina Schreiber, Petra Mullejans | D♭ Major | 3 | 3B | 96 BPM |
- ISRC
- DEF058731723
- Label
- L-M Records/RCA Records
Section: 0.7979590892791748
End: 0.8025052547454834