Michael Kaufman, Emily Woo Zeller, J. D. Jackson made "Chapter 142 - The Last Exit" available on January 12, 2021. The duration of Chapter 142 - The Last Exit is about 3 minutes long, at 3:03. Based on our data, "Chapter 142 - The Last Exit" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 214 in the song's album "The Last Exit (Unabridged)". In this album, this song's track order is #35. Furthermore, we believe that the track originated from Germany. Based on our statistics, Chapter 142 - The Last Exit's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Chapter 142 - The Last Exit by Michael Kaufman, Emily Woo Zeller, J. D. Jackson having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beyond | Oskar Tena | C Minor | 1 | 5A | 155 BPM | ||
The Hours: The Hours (Arr. Michael Riesman) | Philip Glass, Valentina Lisitsa | F Major | 0 | 7B | 65 BPM | ||
Pavane, Op. 50 (arr. H. Busser for cello and piano) | Gabriel Fauré, Henri Büsser, Ina-Esther Joost Ben-Sasson, Allan Sternfield | F♯ Minor | 1 | 11A | 149 BPM | ||
Debussy - Arabesque | Martin Bloch | E Major | 0 | 12B | 68 BPM | ||
Buongiorno Principessa (From "La vita è bella") | Nicola Piovani, Luigi Piovano, Archi di Santa Cecilia | A Major | 0 | 11B | 82 BPM | ||
Morning Mood Variation (Arr. for Piano from Peer Gynt Suite No.1, Op. 36 by Ketan & Vivan Bhatti) | Edvard Grieg, Olga Scheps | E♭ Major | 1 | 5B | 79 BPM | ||
Bethoven's Silence | Carlos Ambros, Gabriel Garcia Tello, Miguel Aria | E♭ Minor | 1 | 2A | 71 BPM | ||
Endless Time | Roberto Cacciapaglia | D Major | 0 | 10B | 62 BPM | ||
Chapter 190 - The Last Exit | Michael Kaufman, Emily Woo Zeller, J. D. Jackson | B♭ Minor | 2 | 3A | 179 BPM | ||
Requiem in D Minor K. 626: Lacrimosa (Instrumental) | The Mozart Project | C Major | 1 | 8B | 141 BPM |
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