"Ich weiss, dass mein Erlöser lebet, SWV 457" by Heinrich Schütz, Dresdner Kammerchor, Ludger Remy, Hans-Christoph Rademann was released on April 1, 2014. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Schütz: The Resurrection (Auferstehungshistorie)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Ich weiss, dass mein Erlöser lebet, SWV 457 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ich weiss, dass mein Erlöser lebet, SWV 457 by Heinrich Schütz, Dresdner Kammerchor, Ludger Remy, Hans-Christoph Rademann having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Becker Psalter, Op. 5: No. 2, Was haben doch die Leut im Sinn, SWV 098 "Psalm 2" | Heinrich Schütz, Magdalena Kircheis, Tobias Mathger, Martin Schicketanz, Matthias Müller, Stefan Maass, Michaela Hasselt, Dresdner Kammerchor, Hans-Christoph Rademann | G Major | 1 | 9B | 114 BPM | ||
Remember Not, Lord, Our Offences, Z. 50 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 133 BPM | ||
Pasión: Vere Languóres. Alto Solo. | Anónimo, Ensamble Moxos, Raquel Maldonado | D♭ Minor | 4 | 12A | 89 BPM | ||
Johannes-Passion, SWV 481: IV. Jesus vor Pilatus | Heinrich Schütz, Kammerchor der Essener Domsingknaben, Harald Martini | B♭ Minor | 1 | 3A | 83 BPM | ||
Heinrich Schütz Symphoniae Sacrae I (Part XI - Xx): XII Secunda Pars: Exquisivi Dominum Et Exaudivit Me | Matteo Messori, Cappella Augustana, Michael Seberich, Jean-Pierre Canihac, Dolores Costoyas, Robert Pozarski, Bogdan Makal, Marzena Lubaszka, Heinrich Schütz, Florian Weininger | A Minor | 1 | 8A | 105 BPM | ||
Cantata "Christ lag in Todesbanden", BWV 4: "Den Tod niemand zwingen kunnt" | Johann Sebastian Bach, The Hilliard Ensemble | D♭ Minor | 1 | 12A | 111 BPM | ||
Prime die Lectio secunda: XI. Vau | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | A♭ Minor | 0 | 1A | 81 BPM | ||
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM | ||
Capriccio in G Minor, FbWV 505, Pt. 3 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Te deum, LWV 55: XIV. Miserere nostri Domine, miserere nostri | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM |
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