Gioachino Rossini, Gianandrea Gavazzeni, Franco Calabrese, Mariano Stabile, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano's 'Rossini: Il turco in Italia, Act 2: "Fermate" - "Cosa c'è?" (Prosdocimo, Geronio, Narciso)' came out on 1955. With Rossini: Il turco in Italia, Act 2: "Fermate" - "Cosa c'è?" (Prosdocimo, Geronio, Narciso) being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 44 in the song's album "Rossini: Il turco in Italia (1954 - Gavazzeni) - Callas Remastered". In this album, this song's track order is #36. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Rossini: Il turco in Italia, Act 2: "Fermate" - "Cosa c'è?" (Prosdocimo, Geronio, Narciso)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Rossini: Il turco in Italia, Act 2: "Fermate" - "Cosa c'è?" (Prosdocimo, Geronio, Narciso) by Gioachino Rossini, Gianandrea Gavazzeni, Franco Calabrese, Mariano Stabile, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turandot / Act 1: "Non piangere, Liu" | Giacomo Puccini, Barbara Hendricks, Plácido Domingo, Ruggero Raimondi, Wiener Philharmoniker, Herbert von Karajan | E♭ Minor | 2 | 2A | 65 BPM | ||
Messa di Gloria: Agnus Dei | Giacomo Puccini, Willi Stein, Thomas Pfeiffer, Maulbronn Chamber Choir, South West German Radio Symphony Orchestra, members, Jurgen Budday | F Major | 2 | 7B | 131 BPM | ||
Cherubini: Medea, Act I: "Dei tuoi figli la madre" (Medea) | Luigi Cherubini, Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 80 BPM | ||
Don Giovanni, K. 527: Il mio tesoro | Wolfgang Amadeus Mozart, Kenneth Riegel, Lorin Maazel | A Major | 3 | 11B | 93 BPM | ||
Puccini: Turandot, Act 2 Scene 2: "In questa Reggia, or son mill'anni e mille" (Turandot, La Folla, Calaf) | Giacomo Puccini, Birgit Nilsson, Francesco Molinari-Pradelli, Orchestra Del Teatro Dell'Opera Di Roma | D Minor | 0 | 7A | 83 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Il Trovatore / Act 2: "Stride la vampa!...Mesta è la tua canzon!" | Giuseppe Verdi, Marilyn Horne, Luciano Pavarotti, Peter Knapp, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | C Major | 1 | 8B | 83 BPM | ||
Macbeth / Act I: Vieni t'affretta...Or tutti sorgete | Giuseppe Verdi, Shirley Verrett, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E Major | 3 | 12B | 125 BPM | ||
Adriana Lecouvreur / Act 1: "La dolcissima effigie" | Francesco Cilea, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 2 | 4B | 79 BPM | ||
Respighi & Rossini: La boutique fantasque, P. 120: VII. Nocturne | Gioacchino Rossini, Ottorino Respighi, Alceo Galliera, Philharmonia Orchestra | F Minor | 4 | 4A | 126 BPM |
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