Niccolò Paganini, Alison Balsom, Edward Gardner, Göteborg Symfoniker made "Paganini / Arr. Milone & Balsom: 24 Caprices, Op. 1: No. 24 in A Minor" available on October 16, 2020. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Alison Balsom's "Magic Trumpet" album is number 11 out of 20. Based on our statistics, Paganini / Arr. Milone & Balsom: 24 Caprices, Op. 1: No. 24 in A Minor's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Paganini / Arr. Milone & Balsom: 24 Caprices, Op. 1: No. 24 in A Minor by Niccolò Paganini, Alison Balsom, Edward Gardner, Göteborg Symfoniker to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Come, Ye Sons of Art Away, Z. 323 "Ode for Queen Mary's Birthday, 1694": No. 2. Duet, "Come Ye Sons of Art Away" (Arr. with Trumpet, Trombone, Baroque Guitar, Cello and Organ by Wim van Hasselt and Jörgen van Rijen) | Henry Purcell, Wim Van Hasselt, Jörgen Van Rijen, Benedikt Enzler, Mike Fentross, Jorge Lopez-Escribano | F Major | 1 | 7B | 107 BPM | ||
Clarinet Concerto in A Major, K. 622: III. Rondo (Allegro) | Wolfgang Amadeus Mozart, Alfred Prinz, Wiener Philharmoniker, Karl Böhm | D Major | 1 | 10B | 140 BPM | ||
Caprice No. 17 in E-Flat Major | Niccolò Paganini, Marieke Schneemann | B♭ Major | 0 | 6B | 69 BPM | ||
Telemann: Trumpet Concerto in D Major, TWV 51:D7: II. Allegro | Georg Philipp Telemann, Alison Balsom | D♭ Major | 4 | 3B | 112 BPM | ||
Concerto in E Minor: II. Vivace | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 3 | 2A | 117 BPM | ||
Sonata A 5: Sonata A 5 In D Major: I. Andante | Capella Istropolitana, Giuseppe Torelli | A Major | 2 | 11B | 133 BPM | ||
Trumpet Concerto in E flat major: 3. Rondo | Johann Nepomuk Hummel, Håkan Hardenberger, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 2 | 12B | 144 BPM | ||
Oboe Concerto in C Major, K. 271k / K. 314: III. Rondo. Allegretto | Wolfgang Amadeus Mozart, Alexei Ogrintchouk, Lithuanian Chamber Orchestra | C Major | 2 | 8B | 125 BPM | ||
Oboe Concerto in D minor - Adagio | Alessandro Marcello, Senia Trubashnik, Luxembourg Radio Symphony Orchestra, Kurt Redel | C Minor | 1 | 5A | 71 BPM | ||
Trumpet Concerto In E Flat, Hob.VIIe:1: 3. Finale. Allegro | Franz Joseph Haydn, Adolph Herseth, Chicago Symphony Orchestra, Claudio Abbado | E♭ Major | 2 | 5B | 138 BPM |
Section: 0.6729354858398438
End: 0.682119607925415