Имре Кальман, Татьяна Шмыга, Andrei Mironov, Юрий Силантьев, Эстрадно-симфонический оркестр Всесоюзного радио и Центрального телевидения made "Баядера, действие II: Дуэт Мариэтты и Наполеона" available on January 1, 1973. The duration of Баядера, действие II: Дуэт Мариэтты и Наполеона is about 3 minutes long, at 3:19. Based on our data, "Баядера, действие II: Дуэт Мариэтты и Наполеона" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in Имре Кальман: Баядера, so we believe that "Баядера, действие II: Дуэт Мариэтты и Наполеона" is a single. Баядера, действие II: Дуэт Мариэтты и Наполеона is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Баядера, действие II: Дуэт Мариэтты и Наполеона by Имре Кальман, Татьяна Шмыга, Andrei Mironov, Юрий Силантьев, Эстрадно-симфонический оркестр Всесоюзного радио и Центрального телевидения is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2. Iolanthe! From thy dark exile | Arthur Sullivan, Jennifer Toye, Pauline Wales, Gillian Knight, Yvonne Newman, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | E Major | 1 | 12B | 140 BPM | ||
2. Good morrow, pretty maids | Arthur Sullivan, Dawn Bradshaw, Daphne Gill, Ceinwen Jones, Joseph Riordan, Michael Wakeham, George Cook, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 2 | 8B | 133 BPM | ||
Walzer-Gesänge, Op. 6: No. 5, Blaues Sternlein | Alexander von Zemlinsky, Hanna-Elisabeth Müller, Juliane Ruf | G Major | 0 | 9B | 105 BPM | ||
Youkali | Kurt Weill, Benjamin Appl, James Baillieu | C Minor | 1 | 5A | 117 BPM | ||
Frau Luna: Schlösser,die im Monde liegen (Bolten-Baeckers) | Paul Lincke, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 79 BPM | ||
Hoffmanns Erzählungen: Prologue: Aus dem Becher kommt der Trunk | Jacques Offenbach, Kölner Rundfunkchor, Kölner Rundfunk-Sinfonie-Orchester, Chor, Eugen Szenkar | C Major | 3 | 8B | 75 BPM | ||
Adams: Girls of the Golden West, Act II Scene 3: It seems like midnight | John Adams, Los Angeles Philharmonic, Davóne Tines, Daniela Mack, Ryan McKinny | A Major | 0 | 11B | 79 BPM | ||
La Traviata: "Ah, Fors'è Lui" and "Sempre Libera" | Francesco Maria Piave, Giuseppe Verdi, Dame Joan Sutherland | F Minor | 1 | 4A | 84 BPM | ||
A Symphonic Mass: V. Sanctus - VI. Benedictus | George Lloyd, Bournemouth Symphony Orchestra, Brighton Festival Chorus | G Major | 3 | 9B | 131 BPM | ||
I Capuleti e i Montecchi, Act 1 Scene 4: Oh! Quante volte (Arr. for Countertenor & String Quartet by Eric Mouret) | Vincenzo Bellini, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM |
Section: 0.5753326416015625
End: 0.5808830261230469