"Orff: Carmina Burana, Pt. 4, Blanziflor et Helena: Ave formosissima" by Carl Orff, Hallé Choir/Hallé Orchestra/Maurice Handford/Ronald Frost, Halle Choir, Maurice Handford, Hallé was released on March 4, 2002. The duration of Orff: Carmina Burana, Pt. 4, Blanziflor et Helena: Ave formosissima is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Orff: Carmina Burana, Pt. 4, Blanziflor et Helena: Ave formosissima's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Orff Carmina Burana". In this album, this song's track order is #24. Furthermore, we believe that the track originated from United Kingdom. Orff: Carmina Burana, Pt. 4, Blanziflor et Helena: Ave formosissima is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orff: Carmina Burana, Pt. 4, Blanziflor et Helena: Ave formosissima by Carl Orff, Hallé Choir/Hallé Orchestra/Maurice Handford/Ronald Frost, Halle Choir, Maurice Handford, Hallé having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Simple Symphony, Op. 4: Sentimental Sarabande | Benjamin Britten, Royal Northern Sinfonia, Steuart Bedford | G Minor | 0 | 6A | 75 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Carmina Burana: Tempus est iocundum | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | D Major | 3 | 10B | 78 BPM | ||
Incipiunt Laudes Creaturarum, quas fecit Beatus Franciscus ad laudem et Honorem Dei, Sonnengesang des hl. Franziskus, für gemischten Chor a cappella aus Concento di voci II, Carl Orff 1954 | Carl Orff, Sonja Korkeala, Carolin Widmann, Karl Peinkofer, Andreas Schumacher, Markus Zahnhausen, Wilfried Hiller, Martin Ruhland, Godela Orff, Max Frey | C Major | 0 | 8B | 92 BPM | ||
Carmen, Opera Suite No. 2: II. Habanera (Act 1) | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 123 BPM | ||
String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM | ||
Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity (Excerpt) | Gustav Holst, Andrew Davis, BBC Symphony Orchestra | E♭ Major | 2 | 5B | 68 BPM | ||
24 Caprices for Violin, Op. 1, MS. 25: No. 24 in A Minor | Niccolò Paganini, Salvatore Accardo | A Minor | 1 | 8A | 167 BPM | ||
Beethoven: Symphony No. 7 in A Major, Op. 92: II. Allegretto (Excerpt) | Ludwig van Beethoven, Sir Roger Norrington, London Classical Players | E Minor | 0 | 9A | 77 BPM |
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