Reveriano Soutullo, Juan Vert, A.Carreño, I.Fdez. Sevilla, Gran Orquesta Sinfonica's 'La del Soto del Parral: "Al Fin de la Faena, Busco a Mi Mozo"' came out on December 2, 2013. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Zarzuela: La del Soto del Parral by I.Fdez. Sevilla, A.Carreño, Juan Vert, Reveriano Soutullo, Gran Orquesta Sinfonica. The song's track number on the album is #2 out of 9 tracks. Based on our data, Spain was the country where this track was produced or recorded. La del Soto del Parral: "Al Fin de la Faena, Busco a Mi Mozo" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La del Soto del Parral: "Al Fin de la Faena, Busco a Mi Mozo" by Reveriano Soutullo, Juan Vert, A.Carreño, I.Fdez. Sevilla, Gran Orquesta Sinfonica has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With La del Soto del Parral: "Al Fin de la Faena, Busco a Mi Mozo" being at 73 BPM, the half-time would be 36 BPM with a double-time of 146 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Donde Estaran Nuestros Mozos | Coros Famosos De Zarzuelas | E Major | 5 | 12B | 117 BPM | ||
La Verbena de la Paloma: Escena - Habanera - Seguidillas - Final | Tomás Bretón, Coros Cantores De Madrid, Federico Moreno Torroba, José Perera, Orquesta de Conciertos de Madrid, Renato Cesari, Teresa Tourné | E♭ Major | 4 | 5B | 87 BPM | ||
El Año Pasado por Agua: "Introducción y Coro General" | Ana Maria Iriarte, Gerardo Monreal, Carlos S. Luque | C Major | 2 | 8B | 92 BPM | ||
Concierto de Aranjuez: I. Allegro con spirito | Joaquín Rodrigo, Renata Tarragó, Odon Alonso, Orquesta de Conciertos de Madrid | D Major | 3 | 10B | 121 BPM | ||
Il barbiere di Siviglia / Act 1: Cavatina: "Ecco, ridente in cielo" | Gioachino Rossini, Ugo Benelli, Dino Mantovani, Coro del Teatro di San Carlo di Napoli, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | G Major | 3 | 9B | 129 BPM | ||
Soledad | Rosario Armas, Ahmed Alom | A♭ Minor | 2 | 1A | 74 BPM | ||
Lucrezia Borgia / Act 2: Era desso il figlio mio | Gaetano Donizetti, Renée Fleming, Coro del Maggio Musicale Fiorentino, Orchestra of St. Luke's, Patrick Summers | B♭ Minor | 1 | 3A | 98 BPM | ||
Coro de los Gitanos de Il Trovatore (De "Una Noche en la Opera") | The Oscar's Orchestra | G Major | 2 | 9B | 135 BPM | ||
La boda de Luis Alonso, o La noche del encierro: El baile de Luis Alonso: Intermedio | Jerónimo Giménez, Madrid Community Chorus, Madrid Community Orchestra, Miguel Roa | E Major | 1 | 12B | 112 BPM | ||
Giuseppe Verdi: Rigoletto - Scorrendo uniti remota via (Chor der Höflinge) | Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner | A Major | 3 | 11B | 123 BPM |
Section: 0.857520580291748
End: 0.8624765872955322