"3 Quarter-Tone Pieces: Largo" by Charles Ives, Joel Sachs, Cheryl Seltzer, Continuum was released on March 1, 2005. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Charles Ives's "Ives: Three Quarter-Tone Pieces / Five Take-Offs / Hallowe'En / Sunrise" album is number 15 out of 17. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, 3 Quarter-Tone Pieces: Largo's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 3 Quarter-Tone Pieces: Largo by Charles Ives, Joel Sachs, Cheryl Seltzer, Continuum to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in G Major, M. 83: 1. Allegramente | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | D Major | 1 | 10B | 129 BPM | ||
Symphony No.2: 5. Allegro molto vivace | Charles Ives, New York Philharmonic, Leonard Bernstein | F Major | 2 | 7B | 136 BPM | ||
Symphony No. 15 in A Major, Op. 141: I. Allegretto | Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 2 | 3B | 125 BPM | ||
Pie Jesu | Lili Boulanger, Olivier Charlier, Magali Demesse, Aude Perin Dureau, Eric Lebrun, Emile Naoumoff, Francis Pierre, Doris Reinhardt, Isabelle Sabrie, Raphelle Semezis | C Major | 2 | 8B | 82 BPM | ||
Wozzeck / Act III: Scene IV: Forest Path by a Pool. "Das Messer? Wo ist das Messer?" | Alban Berg, Heinz Zednik, Franz Grundheber, Aage Haugland, Wiener Philharmoniker, Claudio Abbado | F Minor | 1 | 4A | 82 BPM | ||
Psalm 90 | Charles Ives, Thad Anderson, Graeme Francis, Stephen Martin, Jeff Otto, Seung Won Cho, University Of Texas Chamber Singers, James Morrow | F♯ Major | 1 | 2B | 133 BPM | ||
Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | ||
Concerto Grosso: II. Serenata | Maya Badian, Cristian Balea, Ilie Dornescu, Romanian National Orchestra, Ludovic Bacs | A Major | 1 | 11B | 119 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
Pacific 231 | Arthur Honegger, Neeme Järvi, Danish National Symphony Orchestra | B♭ Minor | 3 | 3A | 130 BPM |
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