"Stabat Mater, RV 621: V. Quis Non Posset" by Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara Banchini was released on 1995. The duration of Stabat Mater, RV 621: V. Quis Non Posset is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Stabat Mater, RV 621: V. Quis Non Posset's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: Stabat Mater by Antonio Vivaldi, Chiara Banchini, Ensemble 415, Andreas Scholl. The song's track number on the album is #17 out of 21 tracks. Based on our data, France was the country where this track was produced or recorded. Stabat Mater, RV 621: V. Quis Non Posset is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Stabat Mater, RV 621: V. Quis Non Posset by Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara Banchini has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Stabat Mater, RV 621: V. Quis Non Posset being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 5/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Concerto in A Minor for Flute and Strings: I. Allegro | Michel Blavet, Dorothee Oberlinger | A♭ Minor | 2 | 1A | 116 BPM | ||
Il diluvio universale, Act IV "In l’arca di Noè": Ecco l’Iride paciera | Michelangelo Falvetti, Leonardo García-Alarcón, Chœur De Chambre De Namur, Cappella Mediterranea | F Major | 5 | 7B | 112 BPM | ||
Violin Concerto No. 1 in E Major "Spring", RV 269: I. Allegro (with Sonnet) | Antonio Vilvaldi, Antonio Vivaldi, Jordi Savall, Alfia Bakieva, Les Musiciennes du Concert des Nations | C Major | 1 | 8B | 173 BPM | ||
Violin Concerto in D Minor, Op. 7 No. 1: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | D♭ Minor | 2 | 12A | 173 BPM | ||
Matthäus-Passion, BWV 244, Zweiter Teil: 52. Aria (Alt) "Können Tränen meiner Wangen" | Johann Sebastian Bach, Collegium Vocale Gent, Andreas Scholl, Philippe Herreweghe | G Minor | 9 | 6A | 100 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): I. Largo | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 1 | 12A | 123 BPM | ||
Harmonia Artificioso Ariosa, Partia V in G Minor, C. 66: Passacaglia | Heinrich Ignaz Franz von Biber, Lautten Compagney, Wolfgang Katschner | F♯ Minor | 1 | 11A | 94 BPM | ||
Marco Rosano: Requiem | Andreas Scholl | B♭ Major | 2 | 6B | 59 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM |
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