The Smithsonian Chamber Players's 'String Quintet in D major, Op.11/6, G 276, "L'Uccelliera": I Pastori ed i Cacciatori' came out on 1991. With String Quintet in D major, Op.11/6, G 276, "L'Uccelliera": I Pastori ed i Cacciatori being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 11 in Boccherini: String Quintets Op.11, Nos. 4-6 by The Smithsonian Chamber Players. String Quintet in D major, Op.11/6, G 276, "L'Uccelliera": I Pastori ed i Cacciatori is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of String Quintet in D major, Op.11/6, G 276, "L'Uccelliera": I Pastori ed i Cacciatori by The Smithsonian Chamber Players is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dvořák: Czech Suite in D Major, Op. 39, B. 93: IV. Romanza | Antonín Dvořák, Czech Philharmonic Orchestra, Libor Pešek | D Major | 0 | 10B | 87 BPM | ||
Concerto No. 1 in C Major, Hob. VIIh:1 "Lyra organizzata" (Versions for Flute, Oboe & Orchestra): I. Allegro con spirito | Joseph Haydn, Ana de la Vega, Ramon Ortega Quero, TrondheimSolistene, Geir Inge Lotsberg | C Major | 1 | 8B | 75 BPM | ||
Lieder eines fahrenden Gesellen: No. 1, Wenn mein Schatz Hochzeit macht (Arr. A Schoenberg for Baritone & Chamber Ensemble) | Gustav Mahler, Susan Platts, The Smithsonian Chamber Players, Santa Fe Pro Musica, Kenneth Slowik | G Minor | 0 | 6A | 104 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Kinderszenen, Op. 15: VII. Träumerei | Robert Schumann, Moura Lympany | F Major | 0 | 7B | 127 BPM | ||
Adagio for Strings, Op. 11 | Samuel Barber, The Smithsonian Chamber Players, Kenneth Slowik | G Major | 1 | 9B | 168 BPM | ||
Sonata No. 15 in C Major, III. Rondo | Maria João Pires | C Major | 2 | 8B | 98 BPM | ||
Largo from Xerxes | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | G Major | 1 | 9B | 82 BPM | ||
Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti | C Major | 0 | 8B | 65 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM |
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