Ludwig van Beethoven, Nikolaus Harnoncourt, Concentus Musicus Wien's 'Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio' came out on February 5, 2016. Since Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 8 in Beethoven: Symphonies Nos. 4 & 5 by Ludwig van Beethoven, Nikolaus Harnoncourt. In terms of popularity, Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio by Ludwig van Beethoven, Nikolaus Harnoncourt, Concentus Musicus Wien is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Piano Concerto No. 23 in A Major, K. 488: II. Andante | Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Concertgebouworkest | F♯ Minor | 0 | 11A | 99 BPM | ||
Mozart: Requiem in D Minor, K. 626: VI. Recordare | Nikolaus Harnoncourt, Vienna State Opera Chorus | F Major | 1 | 7B | 131 BPM | ||
The Seasons, Op. 37a, TH 135: No. 6, June (Barcarolle) | Pyotr Ilyich Tchaikovsky, Vassily Primakov | E Major | 0 | 12B | 89 BPM | ||
Swan Lake, Op. 20: Act IV: Scène finale | Pyotr Ilyich Tchaikovsky, Kristjan Järvi | D♭ Minor | 1 | 12A | 88 BPM | ||
Dvořák: Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo di Valse | Antonín Dvořák, Sir Charles Mackerras, English Chamber Orchestra | A Major | 0 | 11B | 170 BPM | ||
Violin Concerto In D, Op. 61: 3. Rondo (Allegro) | Ludwig van Beethoven, Fritz Kreisler, Janine Jansen, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | D Major | 1 | 10B | 136 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Henning Kraggerud, Bournemouth Symphony Orchestra, Bjarte Engeset | D Major | 2 | 10B | 119 BPM | ||
24 Caprices for Violin, Op. 1, MS. 25: No. 24 in A Minor | Niccolò Paganini, Salvatore Accardo | A Minor | 1 | 8A | 167 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 110 BPM | ||
Brahms: Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Maxim Vengerov, Daniel Barenboim, Chicago Symphony Orchestra | G Major | 3 | 9B | 143 BPM |
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