"Requiem, K. 626: IX. Hostias" by Amor Artis Chorale was released on April 27, 2004. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in English Chamber Orchestra, Johannes Somary's "Mozart: Sacred Choral Masterpieces" album is number 9 out of 25. On top of that, United States appears to be the country where this track was created. Requiem, K. 626: IX. Hostias is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem, K. 626: IX. Hostias by Amor Artis Chorale to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Anime avventurose" - "Torna o bella" (Orfeo, Coro) | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Judas Maccabaeus, HWV63: 47. March | Handel, A Young, English Chamber Orchestra, J Somary, H Harper, H Watts, Wandsworth School Boys Choir, H Lester, J Shirley-Quirk, Amor Artis Chorale | A Minor | 2 | 8A | 52 BPM | ||
Mass in D Major, Op. 86, B. 175: Gloria. Allegro vivo | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka, Jaroslav Tvrzsky | G Major | 1 | 9B | 66 BPM | ||
Judas Maccabaeus, HWV63: 42. Recitative: See, see yon flames | Handel, A Young, H Harper, Wandsworth School Boys Choir, English Chamber Orchestra, H Lester, J Shirley-Quirk, H Watts, J Somary, Amor Artis Chorale | B Minor | 2 | 10A | 67 BPM | ||
In Windsor Forest: No. 2, Drinking Song | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron | G Major | 1 | 9B | 79 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Part I: Chorus: Beau chevalier va chercher une amie (Handsome knight, find yourself a lady friend) (Page) | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | ||
Die Schöpfung HobXXI/2, PART 2: Vollendet ist das große Werk: Chor | Sir Neville Marriner, Südfunk-Chor, Barbara Bonney, Jan-Hendrik Rootering, Hans Peter Blochwitz, Radio-Sinfonieorchester Stuttgart | B♭ Major | 3 | 6B | 111 BPM | ||
Cadmus, Athamas, Semele, Chorus Of Priests. Recitative: Cadmus: "again, Auspicious Flashes...." | George Frideric Handel, Amor Artis Chorale, English Chamber Orchestra | B Minor | 2 | 10A | 67 BPM | ||
Orfeo ed Euridice, Wq. 30, Act III Scene 1: Che farò senza Euridice! | Christoph Willibald Gluck, David Bates, Andrew Manze, Akademie für Alte Musik Berlin, La Nuova Musica, Oregon Symphony, Iestyn Davies | G Major | 0 | 9B | 84 BPM | ||
Act I - Valens - Recitative, Aria; Chorus | Handel, Amor Artis Chorale, English Chamber Orchestra | D Major | 4 | 10B | 103 BPM |
Section: 0.5698666572570801
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