"Judas Maccabaeus, HWV63: 47. March" by Handel, A Young, English Chamber Orchestra, J Somary, H Harper, H Watts, Wandsworth School Boys Choir, H Lester, J Shirley-Quirk, Amor Artis Chorale was released on February 19, 2013. With Judas Maccabaeus, HWV63: 47. March being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 223 out of 302 in Big Handel Box by Handel, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Judas Maccabaeus, HWV63: 47. March is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Judas Maccabaeus, HWV63: 47. March by Handel, A Young, English Chamber Orchestra, J Somary, H Harper, H Watts, Wandsworth School Boys Choir, H Lester, J Shirley-Quirk, Amor Artis Chorale is Lento (slowly), since this song has a tempo of 52 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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The 4 Seasons: Violin Concerto in F minor, Op. 8, No. 4, RV 297, "L'inverno" (Winter): II. Largo | Karoly Botvay | B♭ Major | 0 | 6B | 68 BPM | ||
Op. 66 - Panorama - Remastered 2024 | Tchaïkovsky, Bavarian Symphony Orchestra | D Major | 4 | 10B | 91 BPM | ||
Act I - Chorus | Handel, Amor Artis Chorale, English Chamber Orchestra | G Minor | 2 | 6A | 86 BPM | ||
Der Fischer und das Milchmädchen: XIII. Molto moderato | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Symphony in C Major, Op. 1, No. 6, (Callen 6): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 143 BPM | ||
Purcell: Abdelazer, Z. 570: II. Rondeau | Henry Purcell, Yehudi Menuhin, Bath Festival Orchestra | D Minor | 2 | 7A | 104 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Concerto Grosso " Feuerwerksmusik, D-Dur, HWV 351: VI. Le Rejouissance. Allegro | Orchestra da Camera Dell'Arte, Luigi Zanetti | D Major | 3 | 10B | 202 BPM | ||
Concerto No. 3 in G Major, BWV 1048: I. Without Tempo Indication | Johann Sebastian Bach, Musica Amphion, Pieter-Jan Belder | F♯ Major | 1 | 2B | 83 BPM | ||
Brandenburg Concerto No. 1 in F BWV1046: I. [Allegro] | Johann Sebastian Bach, Catherine Mackintosh/Paul Goodwin/Timothy Brown/Susan Dent/Orchestra of the Age of Enlightenment, Orchestra of the Age of Enlightenment | E Major | 4 | 12B | 172 BPM |
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