"Mad Song: I. The Wild Winds Weep, and the Night Is A-cold..." by Geoffrey Gordon, BBC Scottish Symphony Orchestra, Martyn Brabbins, Dimitri Mestdag was released on May 17, 2024. With this song being about 5 minutes long, at 4:54, "Mad Song: I. The Wild Winds Weep, and the Night Is A-cold..." by Geoffrey Gordon, BBC Scottish Symphony Orchestra, Martyn Brabbins, Dimitri Mestdag is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Geoffrey Gordon, BBC Scottish Symphony Orchestra, Philharmonia Orchestra, Martyn Brabbins, Laurent Ben Slimane's "Mythologies & Mad Songs" album is number 2 out of 9. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Mad Song: I. The Wild Winds Weep, and the Night Is A-cold... is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mad Song: I. The Wild Winds Weep, and the Night Is A-cold... by Geoffrey Gordon, BBC Scottish Symphony Orchestra, Martyn Brabbins, Dimitri Mestdag to be Vivace (lively and fast) because the track has a tempo of 171 BPM, a half-time of 86BPM, and a double-time of 342 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 1/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prometheus: III. According to the Third... | Geoffrey Gordon, Philharmonia Orchestra, Martyn Brabbins, Laurent Ben Slimane | A Major | 1 | 11B | 81 BPM | ||
Asunder: III. Calm and precise | Vijay Iyer, Boston Modern Orchestra Project, Gil Rose | E Minor | 1 | 9A | 178 BPM | ||
Summer Night - Suite from 'The Duenna', Op. 123: 1. Introduction | Bournemouth Symphony Orchestra, Paavo Berglund | C Major | 3 | 8B | 110 BPM | ||
Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Variations XV & XVI | Antonín Dvořák, Wolfgang Sawallisch, Philadelphia Orchestra | D Major | 2 | 10B | 108 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: I. Nacht | Richard Strauss, Andrés Orozco-Estrada, Hr-sinfonieorchester | B♭ Minor | 0 | 3A | 65 BPM | ||
Mégalithes, Version 3: II. 5-2 - III. 97 | Gérard Grisey, Brynjar Kolbergsrud, Anne Marit Harbek, Benjamin Setsaas, Abel Pérez Armas, Thomas Gimse, Erlend Tynning Larsen, Nicolai Heuer, Marie Nøkleby Hanssen, Runa Eid Hermansen, Halvor Ovenstrøm, Erlend Aagaard-Nilsen, Jørgen Arnesen, Marie Solum Gran, Ingebjørg Bruket, Berger Iver Færder, Halldis Rønning | A Minor | 1 | 8A | 122 BPM | ||
Hamnöy 1976 I | Christian Lindberg, MIN Ensemble | A♭ Major | 6 | 4B | 99 BPM | ||
Coastal Command Suite: The Hebrides | RTE Concert Orchestra, Ralph Vaughan Williams | D Minor | 0 | 7A | 65 BPM | ||
Concerto for Clarinet and Orchestra, Op. 124: III. Lento | Robert Groslot, Roeland Hendrikx, Brussels Philharmonic | D Minor | 0 | 7A | 62 BPM | ||
Depths of a Stranger | Dany Safari | D Major | 1 | 10B | 79 BPM |
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