"Les Heures persanes (Persian Hours), Op. 65bis: XIII. Les collines, au coucher du soleil (The hills, at sunset)" by Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger was released on January 1, 2007. The duration of Les Heures persanes (Persian Hours), Op. 65bis: XIII. Les collines, au coucher du soleil (The hills, at sunset) is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Les Heures persanes (Persian Hours), Op. 65bis: XIII. Les collines, au coucher du soleil (The hills, at sunset)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger's "Koechlin: Les Heures Persanes, Op. 65Bis" album is number 13 out of 16. On top of that, Germany appears to be the country where this track was created. The popularity of Les Heures persanes (Persian Hours), Op. 65bis: XIII. Les collines, au coucher du soleil (The hills, at sunset) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les Heures persanes (Persian Hours), Op. 65bis: XIII. Les collines, au coucher du soleil (The hills, at sunset) by Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger to be Vivace (lively and fast) because the track has a tempo of 165 BPM, a half-time of 82BPM, and a double-time of 330 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 1/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etude in F Minor | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 75 BPM | ||
24 Preludes & Fugues, Op. 87: Prelude no.13 in F sharp minor. Moderato con moto | Dmitri Shostakovich, Alexander Melnikov | F♯ Major | 0 | 2B | 72 BPM | ||
Escales: Rome - Palerme | Jacques Ibert, Lamoureux Concerts Orchestra, Yutaka Sado | A♭ Major | 1 | 4B | 74 BPM | ||
Aleko: Intermezzo | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | B♭ Major | 0 | 6B | 90 BPM | ||
Orientale No. 9, Op. 50 from Kaleidoscope | César Cui, Midori, Robert McDonald | G Minor | 1 | 6A | 106 BPM | ||
Petite Suite: Nocturne | Alexander Borodin, Alexander Krichel | E Minor | 1 | 9A | 66 BPM | ||
String Quartet No. 2 in D Major: III. Notturno: Andante | Alexander Borodin, Budapest Haydn Quartet | A Major | 1 | 11B | 89 BPM | ||
Poème de l'amour et de la mer, Op. 19: Interlude | Ernest Chausson, Véronique Gens, Orchestre National de Lille, Alexandre Bloch | A♭ Major | 0 | 4B | 108 BPM | ||
Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM | ||
Les chants de nectaire, Series 2, Op. 199 "Dans la forêt antique": No. 13, La mer aux bruits innombrables | Charles Koechlin, Nicola Woodward | D Minor | 0 | 7A | 69 BPM |
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