"On The Dneiper (Sur le Borysthène), Op. 51: Scene 1: The Meeting" by Gennady Rozhdestvensky, State Symphony Orchestra of the Ministry of Culture was released on November 28, 2006. The duration of On The Dneiper (Sur le Borysthène), Op. 51: Scene 1: The Meeting is about 3 minutes long, at 3:06. Based on our data, "On The Dneiper (Sur le Borysthène), Op. 51: Scene 1: The Meeting" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "Prokofiev: On The Dnieper, Romeo and Juliet Suite, The Year 1941". In this album, this song's track order is #2. Based on our statistics, On The Dneiper (Sur le Borysthène), Op. 51: Scene 1: The Meeting's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With On The Dneiper (Sur le Borysthène), Op. 51: Scene 1: The Meeting by Gennady Rozhdestvensky, State Symphony Orchestra of the Ministry of Culture having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Violin Duets (1996 Digital Remaster): I. Praeludium | Pinchas Zukerman, Itzhak Perlman | B Minor | 1 | 10A | 91 BPM | ||
Pan Voyevoda, Op. 59: III. Nocturne. "Moonlight" | Nikolai Rimsky-Korsakov, Bolshoi Theatre Orchestra, Yevgeny Svetlanov | E Major | 0 | 12B | 77 BPM | ||
Cinderella, Op. 87: Act III: No. 40. First Galop of the Prince - Presto | Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Large Symphony Orchestra | D♭ Major | 1 | 3B | 114 BPM | ||
Berceuse, Op. 16 | Gabriel Fauré, Michael Healy, RTE Sinfonietta, John Georgiadis | D Major | 0 | 10B | 75 BPM | ||
Violin Concerto, Op. 48: I. Allegro molto e con brio | Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch | C Major | 2 | 8B | 145 BPM | ||
L'Apprenti sorcier | Paul Dukas, Berliner Philharmoniker, James Levine | F Minor | 4 | 4A | 125 BPM | ||
Ein Sommernachtstraum, Op. 61, MWV M13: Act II: Entr'acte: Scherzo | Felix Mendelssohn, Slovak Philharmonic, Anthony Bramall | F Major | 1 | 7B | 60 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Stimmen Verstummen, "Symphony in Twelve Movements": III. | Sofia Gubaidulina, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra | G Major | 0 | 9B | 110 BPM | ||
Praeludium and Allegro | Fritz Kreisler, Joshua Bell, Paul Coker | E Minor | 2 | 9A | 103 BPM |
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