"Blackbird (Arr. for baroque orchestra and saxophone)" by Lennon, Mccartney, Lautten Compagney, Asya Fateyeva, Wolfgang Katschner was released on October 8, 2021. The duration of Blackbird (Arr. for baroque orchestra and saxophone) is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Blackbird (Arr. for baroque orchestra and saxophone)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Time Travel". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. In terms of popularity, Blackbird (Arr. for baroque orchestra and saxophone) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Blackbird (Arr. for baroque orchestra and saxophone) by Lennon, Mccartney, Lautten Compagney, Asya Fateyeva, Wolfgang Katschner having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | E Major | 2 | 12B | 107 BPM | ||
… che col partire | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | A Minor | 1 | 8A | 118 BPM | ||
Asking You | Lennon | A Minor | 1 | 8A | 104 BPM | ||
Blue Silence | Elena Kats-Chernin, Acacia Quartet | B♭ Major | 1 | 6B | 111 BPM | ||
Clarinet Concerto No. 1 in F Minor, Op. 73: II. Adagio ma non troppo | Carl Maria von Weber, Andreas Ottensamer, Berliner Philharmoniker, Mariss Jansons | C Major | 0 | 8B | 72 BPM | ||
Fünf Lieder für eine Stimme, Op. 49: Guten Abend, gut Nacht (Arr. by Daniel Hope) | Johannes Brahms, Daniel Hope | G Major | 0 | 9B | 77 BPM | ||
Nulla in Mundo Pax Sincera - Arr. Edwards/Hirschfelder | Antonio Vivaldi, Jane Edwards, Choir, Geoffrey Lancaster, Gerald Keuneman, Orchestra, Ricky Edwards | E Minor | 1 | 9A | 136 BPM | ||
Suite In Old Style: III. Riddle Of The Barrel-Organ Player - Postlude: Hunting And Finale | Dobrinka Tabakova, Lithuanian Chamber Orchestra, Vaiva Eidukaitytė-Storastienė, Maxim Rysanov | C Major | 3 | 8B | 110 BPM | ||
Encore de Lirico | Sally Greenaway, James Luke | F Major | 0 | 7B | 93 BPM | ||
Going to California (Arr. for Lute & Harp) | Robert Plant, Jimmy Page, Luca Pianca, Margret Köll | F Major | 1 | 7B | 74 BPM |
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