- BPM
- 78
- Key
- B Major
- Camelot
- 1B
Cello Concerto In B Minor, Op.104, B.191: 3. Finale (Allegro moderato) - Antonín Dvořák, Alisa Weilerstein, Czech Philharmonic Orchestra, Jiří Bělohlávek Information
- Acousticness
- 89%
- Danceability
- 14%
- Energy
- 12%
- Instrumentalness
- 83%
- Liveness
- 9%
- Loudness
- 65%
- Speechiness
- 4%
- Valence
- 14%
- Popularity
- 4%
- Loudness
- -21.178 dB
Summary
"Cello Concerto In B Minor, Op.104, B.191: 3. Finale (Allegro moderato)" by Antonín Dvořák, Alisa Weilerstein, Czech Philharmonic Orchestra, Jiří Bělohlávek was released on January 1, 2014. Cello Concerto In B Minor, Op.104, B.191: 3. Finale (Allegro moderato) appears to be safe for all ages as it is not explicit. The song is number 3 out of 9 in Dvořák by Antonín Dvořák, Alisa Weilerstein, Czech Philharmonic Orchestra, Jiří Bělohlávek, Anna Polonsky. Cello Concerto In B Minor, Op.104, B.191: 3. Finale (Allegro moderato) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Cello Concerto In B Minor, Op.104, B.191: 3. Finale (Allegro moderato) BPM
The tempo marking of Cello Concerto In B Minor, Op.104, B.191: 3. Finale (Allegro moderato) by Antonín Dvořák, Alisa Weilerstein, Czech Philharmonic Orchestra, Jiří Bělohlávek is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Cello Concerto In B Minor, Op.104, B.191: 3. Finale (Allegro moderato) Key
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Tchaikovsky: Swan Lake, Op. 20, Act I: No. 2, Waltz | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | A Major | 1 | 11B | 105 BPM | |
 | Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | |
 | 3 Nouvelles etudes, Op. posth.: II. Etude No. 26 in A-Flat Major | Frédéric Chopin, Idil Biret | A♭ Major | 0 | 4B | 74 BPM | |
 | Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM | |
 | Liebestraum No. 3 in A-Flat Major, S. 541 / 3 | Franz Liszt, Lang Lang | A♭ Major | 0 | 4B | 137 BPM | |
 | Sonata No. 42 in D Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | D Minor | 0 | 7A | 61 BPM | |
 | Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | |
![Zigeunermelodien, Op. 55, B. 104, No. 4. Als die alte Mutter (Songs my Mother Taught Me): Songs My Mother Taught Me, Op. 55, No. 4 [arr. F. Kreisler for violin and piano] by Antonín Dvořák, Edmund Battersby, Zhou Qian](https://i.scdn.co/image/ab67616d00001e025d2504146fb0cef59c3d481e) | Zigeunermelodien, Op. 55, B. 104, No. 4. Als die alte Mutter (Songs my Mother Taught Me): Songs My Mother Taught Me, Op. 55, No. 4 [arr. F. Kreisler for violin and piano] | Antonín Dvořák, Edmund Battersby, Zhou Qian | C Minor | 1 | 5A | 101 BPM | |
 | Mephisto Waltz No. 1, S. 514 | Franz Liszt, Khatia Buniatishvili | E Major | 2 | 12B | 132 BPM | |
 | Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.0305445194244385
End: 1.0354790687561035