"Zigeunermelodien, Op. 55, B. 104, No. 4. Als die alte Mutter (Songs my Mother Taught Me): Songs My Mother Taught Me, Op. 55, No. 4 [arr. F. Kreisler for violin and piano]" by Antonín Dvořák, Edmund Battersby, Zhou Qian was released on March 23, 2001. The duration of Zigeunermelodien, Op. 55, B. 104, No. 4. Als die alte Mutter (Songs my Mother Taught Me): Songs My Mother Taught Me, Op. 55, No. 4 [arr. F. Kreisler for violin and piano] is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Zigeunermelodien, Op. 55, B. 104, No. 4. Als die alte Mutter (Songs my Mother Taught Me): Songs My Mother Taught Me, Op. 55, No. 4 [arr. F. Kreisler for violin and piano]'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 11 in Dvorak: Works for Violin and Piano by Antonín Dvořák, Zhou Qian. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Zigeunermelodien, Op. 55, B. 104, No. 4. Als die alte Mutter (Songs my Mother Taught Me): Songs My Mother Taught Me, Op. 55, No. 4 [arr. F. Kreisler for violin and piano] is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Zigeunermelodien, Op. 55, B. 104, No. 4. Als die alte Mutter (Songs my Mother Taught Me): Songs My Mother Taught Me, Op. 55, No. 4 [arr. F. Kreisler for violin and piano] by Antonín Dvořák, Edmund Battersby, Zhou Qian is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Wounded Heart, Op. 34, No. 1 (From "Elegiac Melodies") | Edvard Grieg, Yo-Yo Ma, Kathryn Stott | G Major | 1 | 9B | 81 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | ||
Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): III. Allegro con fuoco - Allegro moderato (à la Zingara) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | D Major | 2 | 10B | 74 BPM | ||
Recuerdos de la Alhambra | Francisco Tárrega, Andrés Madariaga | D Major | 3 | 10B | 79 BPM | ||
String Quartet No. 5 in F Minor, Op. 9, B. 37: II. Andante con moto quasi allegretto | Antonín Dvořák, Vlach Quartet Prague | A♭ Major | 1 | 4B | 132 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Symphony in B Minor (arr. T. Finno for orchestra): I. Allegro ben marcato | Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl | C Major | 1 | 8B | 99 BPM | ||
Requiebros | Gaspar Cassadó, Sheku Kanneh-Mason, Isata Kanneh-Mason | D Major | 2 | 10B | 84 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 1, Adagio "Lovely on the Water" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E Minor | 0 | 9A | 69 BPM |
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