"Pulcinella, K 034: VI. Gavotta con due Variazioni" by Igor Stravinsky, Orquestra De Cambra Teatre Lliure, Josep Pons was released on 1996. With this song being about 5 minutes long, at 4:47, "Pulcinella, K 034: VI. Gavotta con due Variazioni" by Igor Stravinsky, Orquestra De Cambra Teatre Lliure, Josep Pons is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 20 in the song's album "Stravinsky: Pulcinella". In this album, this song's track order is #6. Furthermore, we believe that the track originated from France. Pulcinella, K 034: VI. Gavotta con due Variazioni is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Pulcinella, K 034: VI. Gavotta con due Variazioni by Igor Stravinsky, Orquestra De Cambra Teatre Lliure, Josep Pons having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Czech Suite in D Major, Op. 39, B. 93: III. Sousedská. Allegro giusto | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | B♭ Major | 1 | 6B | 77 BPM | ||
Marchenbilder (Fairy Tales), Op. 113: III. Rasch | Robert Schumann, Tabea Zimmermann, Hartmut Höll | F Major | 1 | 7B | 82 BPM | ||
Sibelius: Symphony No. 7 in C Major, Op. 105: IV. Vivace - Presto - Adagio | Jean Sibelius, Royal Philharmonic Orchestra, Sir Thomas Beecham | C Major | 2 | 8B | 75 BPM | ||
Sonata for Violin and Piano in A: 3. Recitativo - Fantasia (Ben moderato - Largamente - Molto vivace) | César Franck, Kaja Danczowska, Krystian Zimerman | D Major | 0 | 10B | 84 BPM | ||
The Rake's Progress: Act III Scene 3: Duet: In a foolish dream… (Tom, Anne) | Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft | E♭ Major | 1 | 5B | 89 BPM | ||
Brahms: Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Frank Peter Zimmermann, Wolfgang Sawallisch, Berliner Philharmoniker | D Major | 1 | 10B | 147 BPM | ||
String Quartet in C Minor, WAB 111: I. Allegro moderato | Anton Bruckner, Fine Arts Quartet | A♭ Major | 1 | 4B | 111 BPM | ||
Clarinet Concerto in E-Flat Major, Op. 36: II. Adagio | Franz Krommer, Kalman Berkes, Nicolaus Esterhazy Sinfonia | C Minor | 0 | 5A | 86 BPM | ||
Concerto for Oboe and Small Orchestra in D Major, Op. 144: III. Vivace - Allegro | Richard Strauss, François Leleux, Swedish Radio Symphony Orchestra, Daniel Harding | D Major | 2 | 10B | 126 BPM | ||
The Creation, Hob. XXI:2: Pt. I, No.1: Die Vorstellung des Chaos (the Representation of Chaos) | Franz Joseph Haydn, Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, Christine Wehler, Cologne Vocal Ensemble, Capella Augustina, Andreas Spering | C Minor | 0 | 5A | 70 BPM |
Section: 0.6803078651428223
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