"Sibelius : Karelia Suite Op.11 : I Intermezzo" by Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra had its release date on September 1, 2001. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 7 in the song's album "Sibelius : Karelia Suite, Pohjola's Daughter, The Bard, Finlandia & Tapiola". In this album, this song's track order is #1. Sibelius : Karelia Suite Op.11 : I Intermezzo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sibelius : Karelia Suite Op.11 : I Intermezzo by Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 5 in C Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | C Major | 2 | 8B | 102 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Elgar: Pomp and Circumstance, Op. 39: IV. March No. 4 in G Major (Allegro marziale - Nobilmente) | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | C Major | 3 | 8B | 110 BPM | ||
La Fille aux cheveux de lin, L. 117, No. 8 | Claude Debussy, Isaac Stern, Frank Brieff, Columbia Symphony Orchestra | G Major | 1 | 9B | 63 BPM | ||
Valse Triste, Op. 44 No. 1 | Japan Philharmonic Orchestra, Jean Sibelius, Akeo Watana | G Major | 0 | 9B | 88 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): V. La garde montante | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Toccata and Fugue in D minor, BWV 565: II. Fugue (Arr. Leopold Stokowski) | Johann Sebastian Bach, Matthias Bamert, BBC Philharmonic | D Minor | 1 | 7A | 69 BPM | ||
Appalachian Spring - 1945 Suite: 7. Doppio movimento: Variations on a Shaker Hymn | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | D♭ Major | 1 | 3B | 85 BPM | ||
String Sextet No. 1 in B-Flat Major, Op. 18: II. Andante, ma moderato | Johannes Brahms, WDR Symphony Orchestra Cologne Chamber Players | D Major | 1 | 10B | 90 BPM | ||
Scheherazade, Op. 35: III. The Young Prince and The Young Princess | Nikolai Rimsky-Korsakov, Vasily Petrenko, Oslo Philharmonic Orchestra | G Major | 0 | 9B | 98 BPM |