Johann Sebastian Bach, Dina Ugorskaja's 'The Well-Tempered Clavier / Book 1, BWV 846-869 / Prelude & Fugue in F Major, BWV 856: I. Prelude' came out on September 16, 2016. With The Well-Tempered Clavier / Book 1, BWV 846-869 / Prelude & Fugue in F Major, BWV 856: I. Prelude being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 21 out of 48 in Bach, J.S.: The Welltempered Clavier, Book 1, BWV 846-869 by Johann Sebastian Bach, Dina Ugorskaja. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The Well-Tempered Clavier / Book 1, BWV 846-869 / Prelude & Fugue in F Major, BWV 856: I. Prelude is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Well-Tempered Clavier / Book 1, BWV 846-869 / Prelude & Fugue in F Major, BWV 856: I. Prelude by Johann Sebastian Bach, Dina Ugorskaja is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in G Major, K 13 (L 486) | Domenico Scarlatti, Glenn Gould | G Major | 3 | 9B | 101 BPM | ||
Concerto Grosso In F Minor, Op. 1, No. 8: III. Andante | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 99 BPM | ||
Keyboard Sonata in A Major, Wq. 54/6, H. 207: II. Larghetto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F♯ Major | 0 | 2B | 141 BPM | ||
Piano Sonata in E-Flat Major, Op. 1, No. 1: I. Allegro con comodo | Muzio Clementi, Giacomo Scinardo | E♭ Major | 1 | 5B | 81 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: III. Grave | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 0 | 6A | 94 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 4 in C sharp minor, BWV 849 | Luc Beauséjour | C Minor | 4 | 5A | 134 BPM | ||
Suite No. 4 in E Minor, HWV 429: I. Allegro | George Frideric Handel, Dina Ugorskaja | E Minor | 3 | 9A | 95 BPM | ||
Das Wohltemperierte Klavier: Book 2, BWV 870-893: II. Fugue in D Minor BWV 875 | Johann Sebastian Bach, Hélène Grimaud | D Minor | 1 | 7A | 135 BPM | ||
Harpsichord Concerto No. 6 in F Major, BWV 1057: III. Allegro assai | Johann Sebastian Bach, New Bach Collegium Musicum Leipzig, Burkhard Glaetzner, Paul Leenhouts, Karel Van Steenhoven, Christine Schornsheim | A Major | 2 | 11B | 148 BPM | ||
24 Préludes, Op. 28, C. 166-189: 16 in B Flat Minor | Frédéric Chopin, Alicia de Larrocha | B♭ Minor | 3 | 3A | 177 BPM |
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