Johann Sebastian Bach, Hélène Grimaud made "Das Wohltemperierte Klavier: Book 2, BWV 870-893: II. Fugue in D Minor BWV 875" available on January 1, 2008. With Das Wohltemperierte Klavier: Book 2, BWV 870-893: II. Fugue in D Minor BWV 875 being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 17 in Bach by Johann Sebastian Bach, Hélène Grimaud, Deutsche Kammerphilharmonie Bremen. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Das Wohltemperierte Klavier: Book 2, BWV 870-893: II. Fugue in D Minor BWV 875's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Das Wohltemperierte Klavier: Book 2, BWV 870-893: II. Fugue in D Minor BWV 875 by Johann Sebastian Bach, Hélène Grimaud is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Introduction et variations sur La belle meunière in E Minor, Op. 160, D. 802: I. Introduction | Franz Schubert, Emmanuel Pahud, Eric Le Sage | D♭ Major | 0 | 3B | 78 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | ||
Sonata in G Major, K. 14 | Domenico Scarlatti, Lucas Debargue | G Major | 2 | 9B | 91 BPM | ||
Suite en La: La Triomphante | Jean-Philippe Rameau, Alexandre Tharaud | E Major | 2 | 12B | 116 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Concerto in E minor for oboe, strings and basso continuo: I. Andante | Georg Philipp Telemann, Han De Vries, Alma Musica Amsterdam, Bob van Asperen, Wouter Möller | E♭ Minor | 1 | 2A | 105 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: IV. Les Capricieuses | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 136 BPM | ||
6 Nocturnes, Op. 186: Nocturne No. 2: Allegretto ma un poco vivo | Johann Wenzel Kalliwoda, Ashan Pillai, Michael Endres | C Major | 1 | 8B | 97 BPM | ||
String Quartet, Op. 76, No. 4 in B-Flat Minor, 'Sunrise': I. Allegro con spirito | Joseph Haydn, Matangi Quartet | F Major | 1 | 7B | 136 BPM | ||
16 Waltzes, Op. 39: No. 15 in A-Flat Major - Live | Johannes Brahms, Hélène Grimaud | A♭ Major | 0 | 4B | 69 BPM |
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